POV: Passion & Enthusiasm

Photo © Tewfic El-Sawy-All Rights Reserved

"hello sir,

i'm a 18yr old from india

i've dropped my college for my passion of travelling ,writing n photography!

your work have quite inspired me continue it!

n just wanna thank you!

your blog is quite a source of inspiration for me!

thank you"

It's a leap year, and what better way to end this February's 29 days!

This wonderful email from a young Indian woman was waiting in my inbox...and while I frequently get complimentary emails on my photography and blog from readers, this one was so enthusiastic, and so full of hope for the future, that I had to feature it here.

Naturally, I urged her to remain in college, get a degree and pursue her passion at the same time. I hope she does.

I occasionally meet with young people seeking my advice as to how to forge a career in travel photography. It's always a difficult task to balance youthful aspirations and hard-core reality...but one of my principal pieces of advice is to stay in college (if they don't have a degree...and get one), and take up a profession that can pay the bills for a while.

Alex Webb: Streets of Chicago

"I did not have a goal in mind. In fact, I do not have goals in mind when I photograph. I respond to what I see before me." 

Reading Alex Webb's interview on The Leica Camera Blog, I gasped (figuratively) when I got to these phrases. How refreshing to read something said by a photographer that is so devoid of pretension! No bullshit here. He responds to what he sees. He doesn't pretend to see a La Pieta (as some did in Samuel Aranda's World Press winning photograph) in any of his frames...an honest guy and comfortable in his own skin, this Alex Webb.

Perhaps uncharacteristically for many street photographers, he chose to photograph Chicago's character in color. Having mostly worked in color since 1979, Alex tells us he respond to color, and that black and white for him at this time isn't an option. He sees in color and feels in color, so works in color...for him, it's that simple.

That's an interesting statement. When I walk the streets of New York with my camera, I see in color as well, and certainly photograph in color. However, when I return home and view the resulting images, there are some that work better in monochrome than in color. This is the advantage of digital photography, which allows us to alternate between the two. Purists may disagree and will extol the incomparable qualities of Tri-X film and others...but there's no denial that we currently have the best of two worlds.

Since buying a Leica M9, I've been working on a long term project which will involve producing an audio slideshow of my street photographs of New York City. Alex Webb's Streets of Chicago certainly will inspire me to complete my project. I haven't yet decided whether my photographs will be in color or black & white, but after viewing his work, I am inclined towards color.

Hardware: The Oracles of Kerala Photo Expedition/Workshop™

click to enlarge

I will soon be traveling to India to lead my The Oracles of Kerala Photo Expedition/Workshop™, and thought to feature here most of the equipment that will accompany me.

I'll be taking a Canon 5D Mark II, a Canon 7D, and a bunch of lenses (28-70mm f2.8, 70-200mm f2.8, 17-40mm f4, and a 24mm f1.4), along with a Canon flash 580ex. I'll be taking a Leica m9 with a Leica 28mm f/2.8 Elmarit, and a 40mm f1.4 Voigtlander lens. I'm also taking a Canon-mount Holga lens for fun.

For audio, I'm packing a Tascam DR-40 Recorder, an Audio-Technica ATR6250 Stereo Condenser Video/Recording Microphone and Sony headphones.

I'll also be taking my iPhone4S (for picture-taking as well as communication), and a Blackberry for an India sim card.

And naturally, a couple of scarves.

Jim Shannon: Holi Festival

Photo © Jim Shannon-All Rights Reserved

As Holi is about to be celebrated in India (and elsewhere) in just about 10 days, and I know a number of friends are planning to attend its festivities in Vrindavan and elsewhere, I found Jim Shannon's advice and past experience to be both very valuable and sensible, and hope they will as well.

Along with the monochrome photographs of Holi by Toby Devenson (who traveled with Jim to Vrindavan) featured on this blog just yesterday, today's post will provide more than ample inspiration and guidance to those who will experience Holi for the first time.

As Jim writes in his Holi Hunters article which appears in Sidetracked magazine:

"this is one of the few times caste and wealth is forgotten. By the time everyone is covered in dye, it's impossible to tell who is rich or poor".

Jim's advice on how to photograph during Holi, especially in Vrindavan., is a must-read. I noted he photographed in the Banke Bihari temple in that holy town, but urges caution not to cause grave offense by photographing the religious deity itself. He also recommends covering one's face and arms with thick sunblock, which seemed to help in washing the dye off a little more easily. He also recommends wearing a pair of goggles to protect one's eyes from the industrial dyes.

But what about protecting one's photographic gear?? Jim and others suggest the OP/Tech Rain Sleeves which is a polyethylene sleeve made to protect an SLR camera with a lens from dust and inclement weather...and dye powder.

Jim Shannon has traveled and photographed in 42 countries, and his photographs were published by Arte Fotográfica, BBC News, BBC Countryfile Magazine, Guardian Weekend, Lonely Planet, Lonely Planet Magazine, National Geographic Traveler, The New Republic, The Observer, The Sunday Times Travel Magazine, The Daily Telegraph, Time Out, and Wanderlust, amongst others.

Toby Deveson: Holi In Monochrome

Photo © Toby Deveson-All Rights Reserved

Toby Deveson is a brave man. A brave man indeed to have considered shooting one of the most colorful festivals in India in black and white.

And if you consider his biography in which he writes "Toby Deveson has been taking photographs since 1989 when he was given an old Nikkormat and a 24mm lens. After trying a friend's darkroom he set up one of his own in a damp basement and was soon addicted to the alchemy of intoxicating smells and mysterious light. Twenty years later not much has changed. The darkroom is no longer damp but the camera and lens are the same.", you'll conclude he's a very brave photographer.

Choosing to shoot Holi in monochrome as Toby did is very unusual in this day and age. Holi is such a flamboyant festival, filled with explosions of color, that other photographers normally prefer to record its images in natural colors. The photographs on his gallery were made in the Banke Bihari temple of Vrindavan, Mathura, and in its streets.

Perhaps he chose to go against the grain, and didn't want the all powerful colors of Holi to distract the viewers away from the composition of his photographs, or from the shadow and light play or from the forms in his frames.

After all, I adopted the same rationale when I photographed the equally colorful Durga Puja festivities in Kolkata this past October. I also encouraged the participants in The Cult of Durga Photo Workshop to
produce their work in monochrome to better capture the festivities without the intrusion of color. It's a mindset.

Toby Deveson lives and works in London as stills photographer and television cameraman. He has been living in Britain since 1990 when he obtained his degree in photography, painting and music.

POV: The Dove Whisperer & Storytelling

Photo © Tewfic El-Sawy-All Rights Reserved

Regular readers know that I've joined a new storytelling website called Cowbird, and have already posted a couple of mini-stories.

I've just started a few days ago, and I've realized a couple of interesting things. First off, the community of Cowbird are not professional photographers...there are some, but the majority describe themselves as storytellers not as photographers. Secondly, haphazardly eyeballing members' pages, tells me that the majority of them reside in the United States, and by definition tell local stories.

But here's what's interesting as far as I'm concerned. The most popular story among the four I've published so far is The Dove Whisperer. I think there's a number of reasons for that. It's very brief, it's simple and it's touching...and it was one of the 'recommended' stories on Cowbird.

In my multimedia workshops, I stress that stories need to be brief, simple and compelling. So it's not surprising that The Dove Whisperer is more 'magnetic' than the rest of my stories.

And one more thing...and I also stress this in my classes, choosing a title that resonates with one's audience is almost half a battle won. We all know that a title that is mysterious, compelling, unusual but also descriptive is extremely important to the success of one's project...be that a book, article, multimedia slideshow or movie.

I don't know how Cowbird, which is still in its infancy, will evolve and mature....but the possibility of reaching a large (or I should say, a different) audience for my stories through its platform is exciting. 

Finally, The Dove Whisperer was a forgotten moment experienced in Bhutan in September 2009. I was shooting in a small monastery in Jakar when this elderly man appeared with a dove under his arm. I asked what he was doing, and was told he was a bird healer. He was known to tend birds that had broken wings, and released them once they could fly. 

The whole thing didn't last more than five minutes, and yet when I was thinking of a story for Cowbird, I remembered it, searched for the photograph and it was on Cowbird in less time.

It's funny how things remain in the recesses of one's mind, and pop out at the right time.

Carnival Festivals & Ash Wednesday

Photo © Vanderlei Almeida/Agence France-Presse/Getty Images

Most of the important photo blogs have by now featured images of the Carnival in Rio De Janeiro, and elsewhere... whether  in South and Central America or Europe.

For instance, these large sized photographs appeared on The Sacramento Bee's The Frame, on the Boston Globe's The Big Picture, twice on The Atlantic In Focus and here, as well as on The Wall Street Journal's Photo Journal.

If there's one festival I want to attend and photograph, it's certainly Rio's Carnival. With all its colors, fantastic costumes, wonderful music and utterly gorgeous women, it's unquestionably the most magnetic of the world's festivals. In my view, head and shoulders over its Venetian cousin.

The Carnival in Rio de Janeiro is held before Lent every year, and is considered the biggest carnival in the world with two million people per day on the streets. The first festivals of Rio date back to 1723.

Photo © Jose Cabezas/Agence France-Presse/Getty Images

Yesterday was Ash Wednesday, which according to the Gospels, marks the
beginning of the 40 days period during which Jesus spent fasting in the desert
before the start of his public ministry, and during which he endured temptation
by Satan.

It's quite common in mid-town Manhattan to see Catholics emerging from St Patrick's
Cathedral on Fifth Avenue with smears of ash on their foreheads; traditionally
signifying repentance and mourning.

When I first worked in Manhattan, I had no clue of this and almost telling one of my
colleagues that he had dirt on his forehead...but i caught myself in time when I noticed
others had it as well.

Jonah M. Kessel: Tibet

Photo © Jonah M. Kessel- All Rights Reserved

It's been a while since I featured  images of Tibet, and Jonah Kessel's work is well worth the wait. I particularly liked his use of a wide angle lens, like the above picture.

Jonah M. Kessel is an interactive art director, visual journalist and also describes himself as a nomadically curious photographer. His company, currently based in Beijing, offers visual communication solutions on a wide array of platforms including photography, amongst others.

Prior to working as the Creative Director of China Daily in Beijing, Jonah worked as a photography and design consultant for the Journalism Development Group in North Africa; as the Visual Director of the Tahoe Daily Tribune in South Lake Tahoe, Calif.; and as a freelance photographer for multiple media outlets across the United States. He received more than 35 awards from media organizations for his photography, web and design projects.

His international travels took him to Algeria, Malaysia, India, China, Tibet, Nepal, and the Philippines.

Anthony Pond: The Ring Train of Yangon

Whether in Myanmar (Burma), India, China, Viet Nam or elsewhere, trains or trams are wonderful to meet local people, and photograph them.

In Yangon (Rangoon), a local railway line does a loop from the city’s main station through the inner city, suburbs and outlying villages, before returning to the station some 3 hours later. The "circular" is a train for local people, offering hard (and worn) wooden seats, sputtering fans, and with occasionally stuck windows, but it's a fascinating insight into local life.

Anthony Pond has just produced another audio slideshow of black and white (toned with Silver Efex Pro 2) photographs, and which were made during a ride on the circular train of Yangon. My very favorite is the one of the elderly nun.

Anthony worked for more than two decades in the criminal courts in California as an attorney for the Public Defender’s Office. Now pursuing his passion for travel and photography, he traveled repeatedly to South East Asia and India, amongst other places, to capture life, the people and the culture.

He is joining me on my The Oracles of Kerala Photo Expedition/Workshop™ in a few weeks, and I certainly look forward to be working with him during it.

Fuji X-Pro 1 Hands On Movie

Chris Niccolls from The Camera Store had the chance to spend an evening shooting with a pre-production model of the new Fuji X-Pro 1. He shows off the features, lens options, and hybrid viewfinder, and demos the video and low light images from this camera.

I don't need to rehash what's already mentioned on this video, but I ought to highlight its moiré capability. I've just returned from a walk-about in my neighborhood with my M9 during which I bumped its iso to 640. The resultant photographs showed noticeable moiré when enlarged.

It appears that Fujifilm’s solution to the problem of moiré was to design a new sensor that arranges the pixels in an irregular alignment which, in practice, greatly reduces the chance of distracting moiré patterns while maintaining image sharpness.

Although videos like this one are interesting, they're still sale jobs, so I really can't wait read unbiased reviews of the X-Pro 1, and see real life more samples of its images.

As I've posted a number of times, Leica's M9 is firmly in Fujifilm's sights, and I expect Leica will have to meet this challenge. Resting on one's laurels has led the sales of many formidable products to wither.

Just ask Blackberry.

Teerayut Chaisarn: In Search of Sufis Movie

Teerayut Chaisarn is an emerging photojournalist/photographer from Chiang Mai in Thailand, and participated in my In Search of the Sufis of Gujarat Photo Expedition™ in January 2011. He recently completed a 14 minutes movie of his experience during the photo expedition, and posted it on YouTube.

Teerayut started photographing about 5 years ago, and is largely self-taught. He started work as a photographer on the magazine staff of his hometown, but preferred to become a freelance photographer. He also applied his Photoshop post processing expertise to assist various Thai professional photographers, and processes their portfolios.

The Travel Photographer Is On Cowbird!

I've just uploaded my first Cowbird story titled The Sufi Itinerant of Qutb Uddin.

While working on the photograph of Miskine, the Sufi in my post of yesterday, I realized I had a recording of him briefly telling me his life story. Coincidentally, I was invited to join Cowbird, which describes itself as "...a small community of storytellers, focused on a deeper, longer-lasting, more personal kind of storytelling than you’re likely to find anywhere else on the Web."

Cowbird seeks to feature incredible stories by some of the world's finest storytellers, and present them in the most beautiful storytelling environment on the Web. Its community consists of journalists, photographers, writers, artists, filmmakers, designers, explorers, and many others.

"incredible stories by some of the world's finest storytellers"

It allows members of its community to produce multimedia stories, incorporating text, photos, sound, subtitles, roles, relationships, maps, tags, timelines, dedications, and characters, thus mixing elements of traditional storytelling with elements of technology.

I'm excited to have joined Cowbird, and will upload new single image stories as time permits. I've seen that Aaron Huey, a fantastic photographer has also joined Cowbird, and already has a number of stories on it. This one of Zahoor is especially wonderful!

Readers of this blog who feel, as I do, that this is an exciting venue to display their storytelling talents, request an invite from Cowbird...as I did.

Sufi Qawwali In India

Photo © Tewfic El-Sawy. See It Full Size On TTP's Tumblr 

"Khawaja Syed Muhammad Qutbuddin Bakhtiar Kaki, a Sufi saint, died while in a musical trance induced by a qawwali song"

And I'd say what a wonderful way to go!

Divya Dugar, a photographer and reporter for CNNGo, has just authored an interesting and valuable article on Where To Hear Qawwali In India.

Sufism has many definitions, but mainstream Islamic scholars define it as simply the name for the inner or esoteric dimension of Islam. In Sufism, especially in South Asia, the visitation of the tombs of saints, great scholars, and righteous people is a common practice.

Qawwali is a form of Sufi devotional music popular in South Asia, and is a musical tradition that stretches back more than 700 years. One of its most famous singers is the late Nusrat Fateh Ali Khan.

Divya takes us to the most famous Sufi shrines in India, and guides us to the Dargah (shrine) of Hazrat Nizamuddin Auliya in Delhi, to the neighboring Dargah Hazrat Inayat Khan, to the Dargah of Khawaja Syed Muhammad Qutbuddin Bakhtiar Kaki and finally to the most important shrine, the Dargah of Moin Uddin Chishti in Ajmer (Rajasthan).

The Delhi shrines are my favorite destinations when I'm in Delhi, especially on Thursdays and Fridays to attend the qawwali performances from local singers. The photograph featured for this post was made at the Qutbuddin shrine a few years ago, where I met a Sufi itinerant called Miskine. Extraordinarily photogenic, I found him at one of the many dhabas that surround the shrine, and made a number of photographs of him.

I've produced a number of Sufi-related galleries and audio slideshows on the Sufis. In Search of Sufis In Gujarat is a gallery of stills, while The Possessed of Mira Datar is an audio slideshow of a small shrine in Gujarat.

Travelling Lens Workshop To Ladakh...

What would you get if you mixed a troika of world-class women photographers with the visionary founder of a photojournalism workshop with an expert on Ladakh...and asked them to lead a 15 days photography workshop in a remote corner of the Indian Himalayas?

You'd get the Travelling Lens Master Class...that's what!

The Masterclass Workshop is led by Eric Beecroft (the founder of the Foundry Photojournalism Workshop) and by Varun Gupta, a photographer with first hand knowledge of Ladkah and an alum of the Foundry), with the  extraordinary talents of Andrea Bruce, Maggie Steber, and Ami Vitale as workshop instructors (they are also instructors with the Foundry Photojournalism Workshop whom I know well and respect).

As mentioned on the workshop's website, this is a journey to one of the world's most epic locations, with full access to these professionals for guidance in the participants' photography career.

The dates of the workshop are from June 21 to July 5, 2012 and the journey will include some days in Balistan, in the very heart of the Karakoram.

This is a unique opportunity of joining some of the best Foundry Photojournalism Workshop instructors, so visit the Travelling Lens Workshop website for full details.

Maika Elan: Thaipusam Festival

Photo © Maika Elan-All Rights Reserved

Photo © Maika Elan-All Rights Reserved

I really can't describe Maika Elan's recent photography style with certitude, and don't know if it really fits neatly in a category...but what I do know is that it's ingeniously creative.

First off, Maika's birth name is Nguyen Thanh Hai, and is a freelance photographer from Hanoi. Her photography was recognized with a number of awards, and she's currently working hard on completing her long term project...The Pink Choice, in which she documents gay life in Vietnam and elsewhere.

Maika attended the Thaipusam festival held at the Batu Caves, near Kuala Lumpur in Malaysia, and decided that, rather than documenting this festival in a traditional editorial style, she would try to fuse the festival's ancient rituals and tradition with modern images of Western culture. She did so by photographing popular culture magazines, and then double exposed these with her images made during the Thaipusam festival.

The result is an intriguing collection of images which, if you peer at them closely enough, will reveal faint images of Western models superimposed on Maika's photographs of Thaipusam scenes.

You may prefer to view her gallery on Invisible Photographer Asia.

When I heard she was on her way to photograph the festival, I was certain she'd come up with an unorthodox way of documenting it her way...a la Maika. Yes, that's what I ought to call her style...the Maika style.

Denis Rouvre: Sadhus

Photo © Denis Rouvre-All Rights Reserved

Absolutely gorgeous!!!

The gallery of sadhus made by portrait photographer Denis Rouvre really knocked my socks off. So many reasons for that, but readers of this blog may already know I have a fondness for chiaroscuro, and these are gorgeous exemplars of this style. The lighting, the simplicity of the poses and their 'naturalness' are additional qualities of these portraits.

To view Rouvre's Sadhus gallery on his website, click on Work. And while you're at it, you will also want to view his equally impressive gallery of Senegalese wrestlers which won the second prize in the Sports features stories at World Press Photo in 2010.

Denis Rouvre is a French portrait photographer who photographed internationally known celebrities throughout the years, and on other personal and editorial projects. His work was exhibited extensively throughout the world, and he also released several books and monographs.

The Travel Photographer Has His "The Big Picture"!

I had neglected my Tumblr blog for a while, and recently realized there was a lot more themes available. One of those is HD Exhibit free theme which is, frankly speaking, just gorgeous and displays large sized (1200 pixels by 800) photographs really beautifully.

So I've worked quite diligently during the past two days to rejig my The Travel Photographer's Tumblr blog which now features some of my own favorite travel photographs. From here onwards, it will be the repository of some of my photographs (more travel than documentary) which I have archived over the past years, as well as those I intend to make on my forthcoming trips and workshops.

So follow my The Travel Photographer's Tumblr blog for your fix of travel photography!!!

Nadia Shira Cohen: Egypt, The Burned Earth

Photos © Nadia Shira Cohen-All Rights Reserved

“Mohammad, Mohammad, Mohammad,” she muttered. The words escaped just slightly under her breath as the tears began rolling down her face.

It's been a year and a day since Hosni Mubarak was forced out of office by the Egyptian people, and I thought it worthwhile to feature the work of Nadia Shira Cohen, which appeared in The New York Times a few days ago.

Her work focused on the Egyptian victims of the country’s so-called emergency law, principally by talking with them first, and then by photographing them.

Whilst Nadia's photographs and synopsis of her conversation, or interviews, with a handful of these victims appear on her website, her photographs also appear on the The New York Times' LENS blog.

All of her interviews are painful to read...but I thought the most poignant was that of the mother of Mohammed Attiah, who's bedridden with grief at the disappearance of her son some 18 years ago at the hands of the Egyptian police.  She has never stopped saying his name since then.

Nadia Shira Cohen pursued her passion for photography at the University of Vermont, with a semester abroad at the SACI school in Florence, Italy. She worked as a photographer in New York City for the Associated Press and for Sipa Press.  She then went on to work at the VII photo agency, then moved Rome, Italy where she continues to tell stories of the lives of people who interest her and which she compassionately feels the need to expose.

POV: My Take On The World Press Photo Of 2012

Photo © Samuel Aranda-Courtesy World Press Photo

Well, the results were in from the World Press Photo 2012 contest, and it was Samuel Aranda who won the coveted title of World Press Photo of the Year 2012 award with his photograph of a veiled woman holding a wounded relative inside a mosque used as a field hospital by demonstrators against the rule of President Ali Abdullah Saleh, during clashes in Sanaa, Yemen.

Much has been said and written about whether this photograph deserved the award or didn't, and various opinions from respected photographers, editors and the like, literally flooded newspapers, websites and blogs...and on social network sites. Everyone has an opinion...and voiced it. NPR even compared the scene to the Pieta, writing "the image bears an uncanny resemblance to Michelangelo's iconic (and religious) Pieta. Along those lines, The New York Times describes it as having "the mood of a Renaissance painting."


Ah, well...is this perhaps too much artsy thinking?

Whatever.

But here's my take. I think the photograph is certainly powerful and compelling. Is it a great photograph? Maybe, maybe not...but it certainly hits home with its depiction of pain, anguish and upheaval arising from one of the countries least known in the Middle East...Yemen. This is not the often seen pictures of young protestors with painted faces or gas masks, civil war or brutal police or military violence. Just a profoundly sad image.

Another thing struck me. Here's a photograph of a scene of a badly injured protestor, lovingly cradled by a woman totally veiled, covered in a niqab and wearing gloves. While she is virtually faceless, I  sensed her pain, her suffering and agony by her body language...which no niqab can hide. Her being covered up so fully may even compound the poignancy of the scene.

And that's the power of this photograph.

And yes, niqab-wearing women are sentient human beings...they're mothers, wives, sisters, daughters and experience suffering, anguish. love and affection as we all do.

That's my take on it. And in my view, that's why it won.

Samuel Aranda was born in 1979 in Santa Coloma de Gramanet, Barcelona, Spain. When he was 19, he began working as a photojournalist for El Pais and El Periodico de Catalunya. A few years later, he traveled to the Middle East to cover the Israeli-Palestinian conflict for the Spanish agency EFE. In 2004, he joined Agence France-Presse, covering multiple conflicts and social issues in Spain, Pakistan, Gaza, Lebanon, Iraq, Palestinian Territories, Morocco and Western Sahara.

Tony Smith: Kolkata's Cult of Durga (In Motion)

I'm glad Tony Smith has now produced an audio slideshow of his work during the Kolkata's Cult of Durga Photo Expedition/Workshop. The software he used to produce it is ProShow Producer, rather than SoundSlides that I normally use on my workshops. His audio slideshow is divided into chapters or segments which coincied with the different phases of the Durga Puja festival.

Tony is an Associate member of the Royal Photographic Society, and he traveled to Nepal, Bhutan, India, France, China, Spain, Morocco the USA and Canada and the West Coast of Ireland. He has attended Hindu, Christian, Muslim, Buddhist and Gypsy religious and secular festivals..

He worked quite hard during the Kolkata's Cult of Durga Photo Expedition/Workshop to produce his audio slideshow on the festival; however and much to my disappointment, he has not added to it his narrative skills which are enhanced by his precise enunciation. Perhaps that'll happen in a forthcoming iteration?

In the meantime, I suggest you view his blog entry on his experiences at the Durga Puja during the workshop, which also has a number of his photographs of the festival.

Sam Phelps: Train Portraits In Pakistan

Photo © Sam Phelps-All Rights Reserved

Let me venture a guess...we all love a long train journey in an exotic land.

If I'm right, you'll love Sam Phelps's wonderful portraits of Pakistanis sharing a train journey with him. If I'm not...you'll still love them.

The portraits were made on the Khyber Mail, a Pakistani mail and passenger train that travels from Peshawar, Khyber Pakhtunkhwa province, and ends in Karachi, Pakistan’s largest city at the southern tip of the Sindh province on the Arabian Sea. The train journey involves 35 hours of travel.

My favorite portrait is of Joman, an 80 year-old Sufi. He is from Nowabshah, Sindh Province, and has two wives and twelve children. He has been a beggar all his life.

Sam Phelps has a background of fine arts study in Sydney, and is now increasingly working with NGOs including the United Nations High Commission for Refugees, as well as taking assignments for clients including Der Speigel, Time, Newsweek Pakistan and the Times UK. He is also a registered photographer with Getty Images Global Assignment.

He traveled the mountainous roads to Leh, the capital of Ladakh in northern India, and photographed the lives of people along the route. He undertook a four day trip on a train meeting and documenting pilgrims' experiences traveling from Tehran through northern Iran, across Turkey and south to the Syrian capital of Damascus to pray at the Umayyad, the Great Mosque of Damascus.

POV: WTF? "Dear Travel Photographer Blog"

CLICK TO ENLARGE & READ

Oh, what fun! I received one of "those" cheeky emails again. I get a few every month, but this one in particular prompted me to write a WTF? post. It's been awhile since I've written one...I don't want to get rusty.

So yes, I got an email from someone assisting a travel photographer (possibly well known, but one I've never heard of...not that means much anyway) who asked me to post a banner and a press release advertising this travel photographer's 2012 photo tours. Yes, you read that correctly...a banner!! A banner of the photographer's photos on my blog!!

There are a couple of rather obvious gigantic WTF?s here.

The first is that I am a travel photographer who creates, plans and leads photo workshops, so why would I want to advertise someone else's trips? Yes, my photo workshops are certainly different from many others, since my niche is in combining documentary photography with travel photography throwing multimedia coaching in the mix, and generic or other travel photography tours wouldn't be real competition, but what's in it for me? Nothing. And why would I endorse photo tours I know nothing of?

The second WTF? is that there was no indication that if I were to do this, I'd be compensated in any way. There was no request for my advertising rates for example, nor an offer to reciprocate the favor on the other photographer's website/blog. No, it's "just do it for free".

I replied, as politely as I could, saying I wouldn't do anything of the sort, explaining why using the simplest words in the English language.

This brings me to a larger question, and one that has been raised by other photographers who author popular blogs.

Here's some statistics: The Travel Photographer's blog gets anywhere between 80,000 and 90,000 unique views a month. PDN's monthly print circulation is 20,000.

If I were to say that ad rates in photo magazines' and their websites are in the $500-3000 range, would I be far from the truth? I don't think so. Of course, rates depend on the size of the ad, frequency, color or B&W...but who reads print magazine these days? Not many, but many more read blogs...a lot more.

So why shouldn't individual popular bloggers expect and get similar revenue streams to advertise products and services? The Travel Photographer blog and other popular photography blogs reach a much larger segment of consumers than most photography magazines, and we are still played for suckers when it comes to adverts.

Christopher Thomas: Venice In Solitude

Photo © Christopher Thomas-All Rights Reserved

Today's post is at 180 degrees divergence from the one yesterday, as it features the beauty of the La Serenissima or the Most Serene; term that was applied to the Republic of Venice. I believe its Carnavale (its most internationally known festival) will be celebrated in less than two weeks, and is a perfect time to feature the phenomenally beautiful photography of Christopher Thomas.

Christopher Thomas is based in Munich, and graduated from the Bavarian State Teaching Institute for Photography. He works internationally as a renowned advertising photographer., while his photojournalism for Geo, Stern, Süddeutsche Zeitung Magazin, Merian, and other magazines received many international prizes.

His atmospheric photographs of Venice are currently on show at the Hamiltons Gallery in London, which I walk past often when I'm there. Unfortunately, I will not be in London during the exhibition which ends on February 27, so I have to content myself with viewing these online.

It appears that Christopher would set at the crack of dawn with a large format camera, lenses, a tripod and boxes of Polaroid Type 55 to make his photographs.

Christopher has also photographed in Nepal and Ethiopia, amongst other places, so visit his website.

Other websites with his work is the BBC In Pictures and Ira Stehmann.

It's Thaipusam Time...

"The Hindu festival of Thaipusam is about faith, endurance and penance."

Thaipusam is to occur today 13 kilometres outside the Malaysian capital city, Kuala Lumpur in a sacred Hindu shrine called the Batu Caves...and if my network intelligence is accurate, a group of Asian photographers, such as Mervyn Leong, Maika Elan and Hai Thanh (to mention only a few) are already in place to document it..

The festival of Thaipusam was brought to Malaysia in the 1800s, when Indian immigrants started to work on the Malaysian rubber estates and the government offices. The festival is celebrated mostly by the Tamil community, and commemorates the occasion when Parvati gave Murugan a spear to vanquish the evil demon Soorapadam.

On the day of the festival, devotees shave their heads and undertake a pilgrimage along a set route while engaging in various acts of devotion, notably carrying various types of heavy burdens, while others may carry out acts of self mortification by piercing the skin, tongue or cheeks with skewers and sharp hooks. Not for the faint of heart.

This Thaipusam trailer's direction, cinematography and editing is by Dick Chua, the production coordinator is Kah Hooi Lai, the production assistants are Gary Chuah and CH Tan.

5 Weeks To 'The Oracles of Kerala' Photo Workshop

Photo © Tewfic El-Sawy-All Rights Reserved

Only 5 weeks to the start of The Oracles of Kerala Photo Expedition & Workshop™!!!

All participants flights and arrival times in Kochi (where the workshop starts) have been set, hotels rooms are booked, itinerary rejigged, and my multimedia presentations are currently being updated...

The participants in this photo expedition/workshop (7 in all, which is my ideal group size for such a workshop) are from the United States, Ireland, Bahrain and Australia...an international mix I am certain will prove to be quite interesting, since each will probably bring a varying point of view.

I am eager to start the workshop off with a couple of days of intense street photography amongst the spice godowns and alleys of old Mattencherry...The street activity of the area is a virtual live theater, with bazaar-like alleys, traditional godowns and stores stocked with all types of rice, dark brown nutmeg, red and green chillies, earthy ginger, black pepper and other spices. Not only people photography of traders, merchants, porters, but also we'll photograph details, age-old textures, peeling wall colors (or discolored) of indigo blue and ochre...etc.

I am eager to return to Mattencherry, especially after I revisit my Traders of Kochi gallery.

I mentioned Holy War before on this blog, and I am pleased it turned out to be well suited for this forthcoming adventure. It's a chronicle of Vasco Da Gama's voyages to reach the Indies; and seize its markets in spices, silks and gems from Muslim traders in Calicut and Kochi. Perfect!

Asia Society: Princes And Painters In Muhgal India

The Asia Society Museum in New York City is to show Princes and Painters in Mughal Delhi, 1707-1857, an exhibition showcasing Delhi's rich rich history of art, artists and patrons who flourished during this critical period.

The exhibition will focus on the reigns of the last four Mughal emperors — Muhammad Shah, Shah Alam II, Akbar Shah II and Bahadur Shah II Zafar. The latter emperor is the subject of William Dalrymple "The Last Mughal"...a captivating biography of Bahadur Shah Zafar, a descendant of both Genghis Khan and Timur the Great, and of the city of Delhi around the time of the Sepoy Rebellion.

The Sepoy Rebellion was eventually put down with great brutality by the British in a series of bloody battles, and Old Delhi was virtually ransacked. For those of us who know it, the Red Fort and the Jami Masjid were within a hair's breath of being razed, but were saved through the intercession of a high ranking British military commander. Imagine Old Delhi without these two architectural and historical gems?!

Bahadur Shah Zafar was sent into exile in Burma, where he died. He was banished not so much for what he did during the Rebellion, but because the Victorian Evangelicals were determined to replace his influence with that of Christianity. Zafar, having a Hindu mother, and an observant Muslim, appealed to India's major two religions and that couldn't be tolerated.

Researching the subject for this post, I read in a 2009 issue of the Telegraph that efforts were made to trace Zafar's descendants. It seems many have fled to Kolkata and Aurangabad, while others live in Burma and Pakistan.

Note to Publishers and Agents: I do not feature book reviews unless I read and like the books I write about or mention. So do not waste your time emailing me to publicize your book(s) on this blog. I will not.

Jana Asenbrennerova: Shipbreakers of Chittagong

Photo © Jana Asenbrennerova-All Rights Reserved

“The workers look like little ants next to these gigantic ships, and they are just as vulnerable.”

Jana Asenbrennerova's work on the ship breakers in Chittagong was recently featured on the CNN Photo blog....however her photographs are better viewed on her own website.

The CNN essay also informs us that about 80% of the world's out-of-service ships are recycled in Bangladesh, India and Pakistan, according to NGO Shipbreaking Platform.  The largest ship breaking yards at Gadani in Pakistan, Alang in India, Chittagong in Bangladesh and Aliağa in Turkey.

The majority of the ship breaking workers come from the poverty stricken northern region of Bangladesh where there are limited employment opportunities, with the larger proportion of the labor (40.75%) are between the ages of 18-22 years old, and children (under the age of 18) represented about 11% of the workforce.

Jana Asenbrennerova visited Chittagong’s ship-breaking yards in summer 2010 to document what life was like for the people who work there. The ship breaking yards are notoriously difficult to access, but Jana was helped by a local photojournalist.

Jana is an award-winning Czech photojournalist based in the United States. Her work focuses on Southeast Asia. After studying directing and screenwriting at Film Academy, she worked in Prague’s film and theater industry for several years, then studied photography at City College of San Francisco, and photojournalism at San Francisco State University.

The Frame: The Magh Mela

Photo © AP / Rajesh Kumar Singh- All Rights Reserved 

The Sacramento Bee's The Frame brings us more than 30 large sized photographs of the Magh Mela.

The Magh Mela is one of the greatest annual religious pilgrimages for Hindus. In Hindu mythology, the Magh Mela's origin is said to be the beginning of the universe. It's held every year on the banks of Triveni Sangam (the confluence of the three great rivers Ganga, Yamuna and Saraswati) in Allahabad (UP).

The holy pilgrimage and festival is organized every year during the Hindu month of Magh (mid January - mid February), and is a smaller version of Kumbh Mela.

One of the photographs featured by The Frame is of the pontoon bridges that allow the pilgrims to cross to the area of the Sangam, and it reminds me (so very vividly) of my pre-dawn walks on these very same bridges during the Maha Kumbh Mela of 2001. I can still feel the sensation of being in the midst of a moving "caterpillar" of thousands of people. It was an indescribable thrill of being in such an environment with a multitude of opportunities to photograph the spectacular characters who attend such religious gatherings, that I described as "ascetics, mendicants, mystics, beggars and charlatans".

Stop a moment in sympathy at the photograph in The Frame's series in which a woman weeping as she searches for her son in the massive crowd gathering of the Magh Mela. I witnessed such scenes in 2001, and they're heart-rending. However, I was told that the majority of lost children are reunited with their families.

The Gizmon iCA For iPhone

From the sublime (yesterday's post) to the (almost) ridiculous, but I just couldn't resist this!!!

An iPhone case made to look like a vintage camera...almost a Leica look-alike, and since I own an iPhone and an M9, this could make a delightful Xmas present...well, if whoever is interested in it can wait for another 11 months. The Gizmon website even has its logo that's a red dot a la Leica!!!

To be honest, this is not a totally zany idea. iPhone photography is growing by leaps and bounds, and this case would convert it to the feel of a real point and shoot.

The case is made of polycarbonate, comes in three colors ; white, black and orange. It sports an optical viewfinder, holes for straps and a functional shutter button that connects to the iPhone's volume buttons.

It costs $65, and is available via Gizmon's website.