POV: The Travel Photographer Looks Back At 2011

I thought of ending 2011 with various "look-backs" and favorites that appeared on The Travel Photographer's blog.

1. Photo Expedition/Workshops:

I rate the Kolkata's Cult of Durga Photo Expedition/Workshop as the most logistically challenging, but also most rewarding from a documentary standpoint, of my photo expeditions. As I've written in previous posts, the participants (most had no prior knowledge of multimedia) produced highly commendable audio-slideshows during the two weeks spent in Kolkata.

My comprehensive verdict and epilogue of the Kolkata's Cult of Durga Photo Expedition/Workshop was published on October 28.

From the In Search of the Sufis of Gujarat Photo Expedition™, I produced my favorite audio-slideshow and photo essay The Possessed of Mira Datar. It documents the pilgrims who flock daily in their hundreds to the shrine of a renowned Sufi saint in Gujarat.

2. Favorite Photo Essay By Photojournalist:

There's no question that it was the terrific photo essay in The New York Times titled Cairo Undone by Moises Saman. It made me recalibrate my earlier thoughts about photographing in Cairo.

3. Favorite New York Street Photography Event:

In the early days of November, I ventured to Zuccotti Park in Lower Manhattan, and spent a few hours photographing the Occupy Wall Street movement. As I wrote in the blog post, I sympathize with most of the OWS positions. Some of the photographs I took are featured on The Leica File.

4. Favorite Photo Festivals:

I'm not a big photo festival goer, so I only attended two in 2011...but I thoroughly enjoyed participating in the biannual Delhi Photo Festival in October (regrettably for only one day), and attending the annual Angkor Photo Festival in Siem Reap. Both of these festivals were extremely well organized and the attendance was phenomenal!

5. Favorite Photojournalism Workshop:

The Foundry Photojournalism Workshop is my hands-down favorite. Not only because I'm one of the faculty members, but because it's really fantastic. The photographers in the faculty generously share their knowledge and time, its staff, administrators and local volunteers make it wonderful successes year after year, and simply said, the participating photographers "students" are the future...and it's personally rewarding to be part of this.

6. Favorite Short Vimeo Movies:

I loved Miehina, The Kyoto Geisha by Glen Milner. Extremely well produced, and instrumental in shaming me in not having visited Japan yet.

And I also loved A Dos Pasos Del Corazón: The Photographer Of Seville by Sergio Caro and Ernesto Villalba. A beautifully produced movie about an elderly wedding photographer.

7. Favorite Photographer "Americana" Category:

Carolyn Beller takes that one with her The Mississippi Delta photo essay, which I imagined viewing with a song by Howlin' Wolf or John Lee Hooker (as only two examples) blaring in the background.

8. (My Very Own) Favorite Prediction:

No one takes my prediction seriously (at least publicly) but I predict the advent of a mirror-less Leica...a $3500 Micro Four Thirds Leica. I know it's wishful thinking, but that's what my Nostradamus crystal ball tells me when I look in it.

And another of my silly predictions was that I'd never take pictures with an iPhone. Yes, I do now.

9. Favorite Love-Hate Relationship:

I have a love-hate relationship with my Leica M9...many photographers share this emotional dichotomy. I imagined it would not last as long, but it has. I love the M9's handling, heft and durability and abhor its shortcomings...and yes, it makes really great pictures when I know what to do.

And my Dumber Than Dumb moment of 2011 is when I exhausted myself polishing my Elmarit 28mm lens because the view through my just acquired M9's viewfinder was smudgy. The more I polished the more it got smudgier...of course, I was polishing the lens with my thumb squarely on the viewfinder window....a rangefinder newbie brain fart.

10. (My) Favorite Street Photograph:

It's really a subway photograph...but is of the trio of women on the F train, which I titled "The Sleepy, The Anxious And The Bored".

11. My Most Popular Blog Post:

The most popular post on The Travel Photographer during 2011 is a POV titled Is Shooting From The Hip Photography?. Many many thousands of views on that one. Wow!

12. My Favorite WTF? Rant:

It's the WTF?! Be A Sucker And Publicize A Book...For Free. The very best of my world famous acerbic rants.

13. Favorite Photographer "Travel" Category:

And here he is...Tim Allen is the The Travel Photographer's favorite travel photographer of 2011. Tim is is a English photographer with a hefty professional background, who has won prestigious awards. He has worked with indigenous communities throughout the world , most extensively in India and South East Asia.

No ambivalence. One of the best there is.

Enric Mestres Illamola: India

Enric Mestres Illamola is a Catalan photographer specialized in portraits, wedding photography and is a photography teacher in various schools in Barcelona (Spain). He traveled to India no less than 6 times, mostly traveling as a tourist, and photographing portraits along his route. He uploaded a series of these portraits, as well as some street scenes, on YouTube.

Sandy Chandler: Videos & Book...Kolkata & Durga Puja

Sandy Chandler has been busy the past few months. No, make that real busy.

She participated in my Kolkata's Cult of Durga Photo~Expedition & Workshop™ in October, and having produced a highly commendable black & white audio-slideshow (at top) during the workshop, also returned home with a trove of images and audio tracks recorded live during the two weeks in Kolkata.

Back home, she produced a more light hearted view of the festival which views it from what she calls "Another Side of Durga Puja", and features its mixture of spirituality and commerce.

As she describes it, "the annual Durga Puja festival in Kolkata celebrates Durga, archetype of Great Goddess Mahadevi of the Hindu Pantheon. The festival sees huge, elaborately crafted sculptures installed in homes and public spaces all over the city. At the end of the festival, the idols are paraded through the streets accompanied by music and dancing and then immersed into the Ganges river."

Sandy is currently working towards her MA in Art & Religion at the Dominican School of Philosophy & Theology (Graduate Theology Union) in Berkeley, and these slideshows are part of her projects for this degree.

Others would be resting on their laurels, but she also self-published an 80 pages book titled Durga Puja which can be bought from Blurb.

Sandy Chandler is an award-winning and passionate travel photographer. Her photography captures the souls and spirit of the land, its culture and people.  Her previous photography books are Carnevale: The Fantasy of Venice and Calling the Soul:The Spirit of Bali Cremations.

Evgenia Arbugaeva: Following The Reindeer

Photo © Evgenia Arbugaeva-All Rights Reserved

I think featuring Evgenia Arbugaeva's photo essay Following The Reindeer is timely in view of the season where the children in us perhaps long to see them in the sky being led by a jolly man dressed in red with a white beard...but these reindeers are real, and live in the Republic of Yakutia...not in the North Pole.

Yakutia is located in eastern Siberia and stretches to the Henrietta Islands in the far north and is framed by the Laptev and Eastern Siberian Seas of the Arctic Ocean. It's a region with considerable raw materials. It large reserves of oil, gas, coal, diamonds, gold, and silver. The majority of all Russian diamonds are mined there, accounting for almost a quarter of the world's diamond production.

Evgenia Arbugaeva is of Yakutia, and works as a freelance photographer between Russia and New York. She documented the reindeer herders/breeders of the region, who are the Even, the Evenk, the Yukagir, the Chukchi and the Dolgan.

Merry Xmas And Happy 2012!!!

(Click To Enlarge)

I wish a merry Xmas, and happy holidays to all my friends, blog readers, Google and Twitter followers...as well as to some of the hardy photographers who joined, and keep rejoining, The Travel Photographer's Photo Expeditions/Workshops™:

Jim Hudson
Mary Kay Hudson
Jan Lammers
Li Lu Porter
Maria-Christina Dikeos
Felice Willat
Joyce Birkenstock
Ralph Childs
Torie Olsen
Alia Rifaat
Tony Smith
Cathy Scholl
Dan Bannister
Beverly Anderson-Sanchez
Rosemary Sheel
Charlotte Rush-Bailey
Sandra Chandler
Gul Chotrani
Terri Gold
Nuray Jemil
Jenny Jozwiak
Gavin Gough
Larry Larsen
Penni Webb
Laurie Snow-Hein
Pat Demartini
Betsy Gertz
Lee Ann Durkin
Bonny Willet
Wink Willet
Kongkrit Sukying
Ron Mayhew
Rose Schierl
Lynn Padwe
Graham Ware
Kayla Keenan
Bo Jugner
Chris Schaefer
Carlos Amores
Teerayut Chaisarn
Colleen Kerrigan
Sharon Johnson-Tennant
Kim McClellan
Kris Bailey
Zara Bowmar

I'm working on a couple of new destinations for the latter part of 2012 and early 2013...as usual, these will be announced via my newsletter and on this blog.

The Travel Photographer's On The Lightbox App

I am pleased to have The Travel Photographer's blog featured on LIGHTBOX, the new and beautifully designed social photo app for Android. This blog, along with National Geographic, 500px, Fotopedia and a few others, is featured under Photography.

The idea behind LIGHTBOX's new photo journal feature is to provide a stream of updates others can follow, share, like and comment on....which TechCrunch describes as a lazy man's Tumblr.

Although my blog has only been recently featured the LIGHTBOX's lineup, The Travel Photographer has already garnered over 600 followers!!

The Ashaninka: Mike Goldwater

Photo © Mike Goldwater-All Rights Reserved

In Focus, the photo blog of The Atlantic magazine, featured The Ashaninka, A Threatened Way of Life; photographs by Mike Goldwater. Be sure to view the photographs in the 1280px option if your monitor allows it.

The Ashaninka are an indigenous people living in the rain forests of Peru and in the State of Acre of Brazil, and are one of the largest indigenous groups in South America. Their number is estimated between 25,000 and 45,000.

Current threats are from oil companies, drug traffickers, colonists, illegal lumberers, illegal roads, conservation groups, missionary groups, and diseases. Roads are being built into the forest to extract mahogany and cedar trees for export to markets in the United States and Europe despite an international embargo. Religious missionary groups are intent on changing Ashaninka culture and belief systems, ignoring the impact on their long term survival.

Mike Goldwater is a photographer, who ran the Half Moon Gallery in London's East End from 1974 to 1980, and who created the magazine "Camerawork". He also co-founded photo agency 'Network Photographers' for photojournalism, documentary photography and corporate work.  He traveled to over 70 countries and his images were published in major magazines around the world.

You may also wish to see Tatiana Cardeal's work on South American indigenous people.

Xavier Zimbardo: Holi!

I first came across the work of Xavier Zimbardo a number of years ago when I bought his book India Holy Song, whose description on a book-selling website says that it included photographs made in "textile-dyeing factories of Rajasthan bursting with seemingly endless, undulating streams of saturated jewel-like fabrics in astonishing hues, from aquamarine to amethyst to the deepest ruby red". I mention this because I researched the location, and organized a photo shoot there on one of my early photo expeditions to Pushkar. It was quite a thrill to recognize some of Xavier's 'models' as workers in the factory!

This movie is exceptionally well made, and was a collaborative effort including many technicians. The explosions of color...the pink, the fuchsia, the neon-green and yellow powder accompanied by a pulsating soundtrack (which I believe was recorded live).  The movie was made with a Canon EOS 5D Mark II, Canon 24-105mm f/4 L, Canon 70-200mm f/2.8 L, and is featured on Canon France Vimeo page.

It's incredibly difficult to photograph and video in such an environment, and I wish there was some indication as to how the photographer and his team managed to keep their cameras and lenses safe from the hurled powder. While the 5DMark II is claimed by Canon to be weather-proof, its innards could easily be affected by the fine powder.

Xavier Zimbardo is a French photographer currently based in Sarcelles, a Parisian suburb. His work was featured in several European and international photography publications such as Zoom, Camera International, and Photographers International. He's a recipient of several grants and prizes, including those from the Kodak Foundation and the French government, and has had solo exhibitions of his work at museums and galleries throughout France, as well as in Athens, Sicily, Milan, Odense, and Montreal. His work is on permanent display in several museums worldwide including Paris's Bibiliothèque Nationale and Maison Européenne de la Photographie. 

National Geographic Photo Contest 2011

Photo © Tsolmon Naidandorj-All Rights Reseved

Despite my antipathy for photography contests, I always keep an eye on two; TPOTY (The Travel Photographer Of The Year) and The National Geographic.

The winners of The National Geographic Photo Contest were announced this week, with the grand prize awarded to Shikhei Goh for his capture of a dragonfly riding out a rainstorm in Indonesia. As usual, National Geographic has featured winning photos from this year's contest on its website. The contest judges this year were National Geographic magazine photographers Tim Laman, Amy Toensing, and Peter Essick.

I had a look at the submissions and the results, and (although not a nature photographer) agree that the photograph of the dragonfly is worthy of a recognition, but I do not agree with judges' choices for the finalists of the People category.

Had I been a judge, I would have chosen the Kazakh Hunter by Tsolomon Naidandorj as one of the finalists in the People category.  It's exotic, it's dynamic and it's powerful and well composed.

Winners of the National Geographic Photo Contest are also featured on In Focus, the photo blog of The Atlantic.

Mario Gerth: East African Faces

Mario Gerth traveled to 65 countries on five continents and witnessed all kinds of civil upheavals. A German part-time banker and photojournalist, he has concentrated his recent work on Africa...and the slideshow above showcases Ethiopian tribes, some in color and others in stunning monochromes. I particularly like Chapter 3 of the slideshow which consists of gorgeous square format toned portraits...conversely, I thought the panning movement all through the slideshow was a little too much.

The tribes depicted in Gerth's photographs are sedentary pastoral people living in south west of Ethiopia, on the western bank of the Omo river. Unfortunately, the survival and way of life of the tribes of South Ethiopia are under threat by various projects planned for the area, especially a massive hydroelectric dam that affects the Lower Omo River.

In an earlier post, I had written various tribes of the Omo Valley are adept in soliciting money for images and how ready they were to pose without much guidance. But the question here is what came first...the tourists with their cameras giving out a handful of birrs or the demand for money from tourists for each snap.

The Afghan Box Camera Project

Photo Courtesy The Afghan Box Camera

I was very glad to have stumbled on The Afghan Camera Box Project website a few days ago. For quite a while I had given up on posting anything to do with Afghanistan, since the photographs published in various media were either repetitive, unimaginative, stereotypical or plain silly....but this website touches on culture and photography.

The purpose of the Afghan Box Camera Project is to provide a record of the kamra-e-faoree (which in Dari and also in Arabic means 'instant camera') which as a living form of photography is on the brink of disappearing in Afghanistan. It's one of the last places where photographers continue to use a simple type of "instant camera" to make a living. The hand-made wooden camera is both camera and darkroom, and generations of Afghans have had their portraits taken with it, usually for identity photographs.

The project is the work of Lukas Birk and Sean Foley.

The railway station of the Cairo suburb where I grew up had a wooden camera photographer, and I recall (dimly, I admit) had a brisk business. I also came across a wooden camera photographer in Havana, Cuba who showed me how he developed the photograph he made of me.

Two of my friends, Divya Dugar and Frances Schwabenland have produced work on wooden cameras being used in Jaipur in Rajasthan, while Rodrigo Abd has produced Mayan Queens with a 19th century wooden camera of the indigenous women competing to become the National Indigenous Queen of Guatemala.

Poll: Which Cover Is Best?

Which Cover Should I Use For My Forthcoming Book On Kolkata?

Top Image  Bottom Image

pollcode.com free polls

I am thinking of self-publishing a photo book on Kolkata, which will group photographs of the Durga Puja festivities, along with environmental portraits and street photography of this iconic Indian city. My first preference is for the photographs to be black & white, although I may decide for color once I have them all lined up.

I thought of asking for my readers to vote on which cover they prefer...the two suggestions above are just quick dummies. The final cover and typography will be better produced.

My thanks to all who take the time to vote.

Tascam DR-40 In Santa's Bag

Having received Santa's approval, I walked into B&H the other day (by the way, it was packed...as in really crowded. The line for the cash payment option at the cashiers almost extended to its front door!) to explore my options for an upgrade in my field recorder.

I currently use the Marantz PMD620 which I've had for a couple of years. It has served me well, but has begun to show its age (or rather its use). The only issue I've had with it is its small screen, and when I need to change settings whilst in the field, I find difficult especially if my hands are slippery with sweat (as in Kolkata, for example).

Oh, all right...I admit it. The PMD620 is really perfectly fine but I wanted a Xmas gift. End of story.

So after deliberations, I sprang for the Tascam DR-40 Field Recorder, which features built-in condenser microphones that are adjustable depending what the sound source is. Ambient would require the microphones to be wide apart, while an interview from one source would benefit from the mics to be adjusted closer together.

The B&H sales guy suggested I also bought the power supply (it only comes with a mini USB cable and a 2gb SD card) but since I'll be using it outdoors, I wasn't interested. It's much cheaper than the Marantz PMD620, but is also larger. As I can't open the box until Xmas, I can't compare them side by side. I held the Tascam at B&H, and it's a handful...which is what I wanted. The Marantz felt a little flimsy. I suspect the sound quality won't differ much, despite the directional microphones...but I'll soon find out. I will still use the Marantz when I need to be discreet whilst recording...pretending that it's a iPod or something.

Incidentally, Tascam is a division of TEAC Corporation which, as most audiophiles know, is a huge name in the audio world. I recall having a TEAC high-end cassette recorder, along with a heavy-duty TEAC amplifier some years ago.

Paolo Patrizi: Ha Noi

Photo © Paolo Patrizi-All Rights Reserved

"a relic of the many lives of a magical city, steeped in beauty and seductive charm."

And that's part of Paolo Patrizi's statement opening his gallery of Ha Noi which is a mix of very attractive street and documentary photography. From the Ha Noi gallery, I especially liked the photograph above...the colors, and the blur of the nón lá hat; this can be nowhere else but Viet Nam.

I met Paolo Patrizi briefly at the Delhi Photo Festival, and subsequently in November during the Angkor Photo Festival in Siem Reap. He's a documentary photographer, currently living in Japan. He started his career in London working as an assistant to other photographers, and having done freelance assignments for British magazines and design groups, he started to develop individual projects of his own.

Paolo's work is featured in leading publications and is exhibited internationally. His photos have won several awards with the Association of Photographers of London, The John Kobal Portrait Award, The Lens Culture International Exposure Awards, The World Press Photo, The Sony World Photography Awards, The Anthropographia Award for Human Rights, The Taylor Wessing Portrait Prize. His photographs are part of the permanent collection at the Museum of Fine Arts, Houston. His work appeared in the Observer Magazine, Stern, Panorama, Corriere della Sera, GQ, Courrier Japon, Geo, XL Semanal, Przekroj, K-magazine, Handelsblatt, European Photography, Kaze no Tabibito, Vanity Fair, Sunday Times Magazine.

Pete Muller: TIME's Best Wires' Photographer

Photo © Pete Muller-All Rights Reserved

It's no surprise to me that the editors of TIME magazine have chosen Pete Muller as the best photographer on the "wires".

Why do I say that? Well, let's go back to my post of Wednesday, 18 May 2011 in which I described his photography as terrific and excellent....and reminiscent of Jehad Nga's chiaroscuro style.

TIME magazine tells us that of the millions of photographs being sent through the news services (“the wires”) in 2011, the work of Associated Press freelancer Pete Muller, 29, stood out. It continues to say " His exceptional photographs—focused on Africa and particularly Sudan—take an individual approach to storytelling, one that combines a distinctive aesthetic with journalistic integrity."

Other wire photographers who were recognized by TIME are Finbarr O’Reilly,  Kevin Frayer,  David Guttenfelder’s, and Rodrigo Abd, as well as John Moore.

The Frame: The Virgin Of Guadalupe

Photo © Anita Baca-All Rights Reserved

Did I realize that the church of Our Lady of Guadalupe on 14th Street (not far from where I live in New York City) would commemorate one of Mexico's most important religious holidays this past Monday? Of course not. I only find out stuff like that after the fact.

However, The Frame of The Sacramento Bee has featured 17 photographs of the celebration of this popular religious festival in Mexico City when millions make the pilgrimage to honor the dark-skinned virgin, said to have appeared to an Indian peasant on Dec. 12, 1531.

According to the captions accopmpanying the images, an estimated 5 million people from across Mexico arrived at the basilica Monday carrying large frames, wooden sculptures and ceramic statues of the virgin on their backs. The Nuestra Señora de Guadalupe is recognized as a symbol of all Catholic Mexicans.

I chose to feature Anita Baca's photograph (above) showing a pilgrim who journeyed by foot from the state of Hidalgo, posing for a photo in front of the image of Our Lady of Guadalupe, while a fellow pilgrim stands by, not only for its colors but for its composition. Notice how the curve of the dark sombrero matches the curve of the icon.

Kolkata's The Cult of Durga

My main project that came to be from the Kolkata's Cult of Durga Photo~Expedition & Workshop™ which I led and organized is The Cult of Durga.

In contrast to my previous audio slideshows that on average are 3 minutes in length, The Cult of Durga is long...it's just over 5 minutes. I also broke a few of my own rules with it. Using the Ken Burns effect on a couple of occasions is one of the most obvious. I decided against a tighter edit,  thinking that reducing the number of photographs would've eliminated some important components. So I left it as I produced it in Kolkata.

Durga Puja is an annual Hindu festival in South Asia that celebrates worship of the Hindu goddess Durga. It's the most important religious and social event in Kolkata. It involves a series of rituals which start from the production of effigies, building of the pandals, offerings of flower and worship, and then finally immersion of the effigies in the Ganges.

The Durga Puja event is celebrated over no less than ten days, but it's the last four days – Saptami, Ashtami, Navami and Dashami – that are celebrated with considerable joy and fanfare when the ten armed goddess riding the lion and slaying evil is worshipped with immense zeal and devotion.

This documentary audio slideshow starts with the fashioning of the effigies of Durga which is supervised by certain rites and rules, which include that the clay used for these effigies must be collected from the banks of the Ganges. It then follows the transport of the effigies to the pandals and homes. I also photographed the dhakis, the traditional drummers who accompany the effigies to the pandals, then it was the "kala-bau" snan processions to the Ganges where banana plants are cleaned and draped in a cloth along with nine types of leaves, and on to the last day of the festival when the Durga effigies are brought back to the river for their final immersions symbolizing the goddess' return to her abode in the Himalayas.

And for those who are interested in that kind of stuff, I used a Leica M9, a 5D Mark II and a 7D. The audio was recorded with a Marantz PMD 620.

POV: Color or Monochrome?

Photo © Tewfic El-Sawy-All Rights Reserved

Photo © Tewfic El-Sawy-All Rights Reserved

I've meaning to address this question for a while now, especially as I seem to have entered a monochromatic phase in my own photographic evolution. With a couple of exceptions, all the photo essays I produced over the past 18 months have been in black & white...those of Bali, the one of tango in Buenos Aires, and those of Gujarat...all black & white.

My most recent Kolkata's Cult of Durga Photo~Expedition & Workshop™ suggested this notion to its participants:

"Participants will merge their still photography and audio to create compelling narratives. While black & white photography may lend itself better in the context of this particular workshop, it is left to each participant to decide on whether to produce narratives in color or monochrome."

My reasoning behind this recommendation was straightforward. I insisted in having the participating photographers focus their photography purely on the documentary narrative rather than being seduced (and distracted) by the powerful colors of India, of Kolkata and of the Durga Puja in particular. I also wanted the participants to capture the rawness of what they photographed...not embellished by the bells and whistles of color.

In that, I succeeded. The participants' projects were all very well edited and produced, and were focused on the rituals of the event, with no splashes of color to divert the viewers' attention from the going-ons. Yes, the garlands of marigold were gray in their audio slideshows instead of brilliant yellow, the women's vermillion powder was also gray...but this didn't diminish the power of their visual narratives.

My own recent Khari Baoli: Old Delhi's Spice Bazaar audio slideshow was shot in color but produced in  monochrome; a decision that was difficult to make because -as seen from the one of its still photographs (above) - the yellows of the turmeric burlap sacks, the purple of the porter's head cloth along with the various degrees of whites and grays of the scene, all make it much more seducing to the senses than its monochromatic version. So should I have opted for color instead?

No...because my intention in the audio slideshow was not to 'seduce' with colors but to do so with the grittiness and edginess of the monochrome...the same rationale I followed in suggesting monochrome during the Kolkata workshop.

Travel Photographer Of The Year (TPOTY) 2011

Photo © Louis Montrose-All Rights Reserved

The annual (and impatiently awaited) Travel Photographer Of The Year competition results have been announced, with Louis Montrose being awarded the coveted title.

Louis was born in London, but grew up in New York City, and lived in the San Diego area of southern California for many years. Formerly an Elizabethan scholar and professor at The University of California, he now pursues his calling as a photographer full time.

Amongst the talented other entrants, I noted that Sergey Anisimov, Timothy Allen, David Lazar, GMB Akash, Matjaz Krivic, Richard Murai, and Larry Louie are all recognized for their work.

The winning images from the Travel Photographer of the Year competition 2011 will be exhibited at the Royal Geographical Society (with IBG) in London from 21st June to 19th August 2012.

A niggling thought about TPOTY: with a couple of exceptions, all the winners and runners-up (and judges) seem to be from Western countries. Having seen the quality of photographic work by Asian and Latin American photographers, I am surprised that none have won in a category. It may well be that TPOTY's 'reach' is limited to Europe and the USA and if so, I hope its founders will exert efforts to make it better known in Asia and South America to name but two continents.

Here's also a short movie of TPOTY's Exhibition Opening last year.

The Travel Photographer In Asian Geographic Passport

"It is at these religious events that one connects with humanity at its basic denominator, and with the nobility of the human spirit."

That's a quote from a longer statement I made to accompany a handful of photographs published in the December issue of the Asian Geographic Passport which can be partially previewed here.

I am waiting for a hard copy of the issue to be mailed to me from the publishers, so that's all I can show at this time.

In any event, the religious rituals I submitted photographs of are the Theyyam rituals of Northern Kerala and of the Tsechus of Bhutan. The photographs are included in my Theyyam: Incarnate Deities and Tsechus!.

I am influenced by Sebastiao Salgado's philosophy which he described by saying: "if you take a picture of a human that does not make him noble, there is no reason to take this picture. That is my way of seeing things.". This is my way of seeing things as well...I find it impossible to photograph otherwise.

Jaime Ocampo-Rangel: Memory Of Colors

Photos © Jaime Ocampo-Rangel- All Rights Reserved

"I dreamt of a rainbow built with the colours of men, tribes, cultures. The rainbow of a rare, diverse, precious, essential, yet fragile human nature. This Memory of colours, old as the wind, the sun and rain is a slow process. It is a story in progress that needs to be listened to, seen, protected and helped." -Jaime Ocampo-Rangel

And this, in a nutshell, is what Jaime Ocampo-Rangle's Memory of Colors is all about.

It's a terrific and phenomenal magnum opus from a Colombian photographer who sought to document the last authentic tribes, people and ethnic groups of the world that are threatened by globalisation. Jaime chose to complete the project by sailing around the world.

Forty ethnic groups have already been documented and another hundred identified, and those hundred will be visited, filmed and photographed to fulfill the ultimate goal of the project, which is to represent the real landscape of our multi-cultural earth.

Memory of Colors may keep you glued to your computer's monitor for a while, so if you have urgent stuff to do, you may want to watch the 5 minute trailer of the project, do the stuff you have to take care of, return and explore the website more fully at your leisure. If you're interested in travel photography, anthropology and ethnography, it's really worth it.

Finally, Memory of Colors was mentioned on The Luminous Landscape website, and it gives some details on the equipment used and background of the photographer.

POV: TTP Scarf: Missed Business Opportunity?

While in Siem Reap, I dropped by the Old Market and stocked up on traditional Khmer scarves with the intention of having them embroidered with The Travel Photographer logo, and making a fortune selling them online.

While having lunch at The Soup Dragon, I showed the manager my The Travel Photographer's pouch that had that logo, and asked if he knew of a store that could duplicate it...and indeed he did! Scribbling the name and address of the place in Khmer on a scrap of paper, he said it wasn't too far from the restaurant, and that it was just opposite a secondary school which used it to embroider its tshirts etc. Perfect!

I hired a tuk-tuk driver (Chen, who was to remain as my driver for the duration of my stay) and we went looking for the embroidery shop. I expected to see a computer-driven embroidery machine, but all I saw was an electric sewing machine and a woman who assured me (through Chen) that she could duplicate the logo quite easily. I wrote it down in my best capitalized handwriting, gave her my old krama for a trial run and was told to return in 20 minutes. Perfect!

Spending these ensuing 20 minutes thinking of having all my stack of kramas embroidered with my logo, returning to the US and selling them online at a monumental profit, was very enjoyable. However, these dreams of untold riches came tumbling down when I was returned my old krama with the logo as you can see from the above photographs...the L in Travel was deemed superfluous by the semastress and I got The Trave Photographer instead.

The poor woman was mortified and tried to convince me she could fix the error...but I just laughed it off. Yes, my get-rich-quick scheme collapsed because of a dropped letter. The moral of the story is this: make sure your outsourcing contractor can write English.

That being said, the mistake on this scarf (especially as it has been worn for a number of years) could well make it very valuable. As an example, the mistakenly inverted Jenny stamp was auctioned for $1 million!

Brenden Allen: Mandalay To Mytikina

Photo © Brenden Allen-All Rights Reserved

Since Myanmar is all in the news, with Aung San Suu Kyi meeting with Hillary Clinton during her official trip to that country -- the first visit by a U.S. Secretary of State in half a century -- which is described by some as a breakthrough moment in U.S.-Burma relations, I thought it timely to feature some fresh photographic work from Myanmar.

Brenden Allen's Mandalay To Mytikina is the result of 27 hours aboard a train (described as a 'rattler') from Central Burma to Kachin State in December 2011. Myitkyina is the capital city of Kachin State in Myanmar (Burma), and is located 1,480 kilometers from Yangon, and 785 kilometers from Mandalay. Mandalay is the second-largest city and the last royal capital of Burma, and 700 kilometers north of Yangon.

Brenden is a photographer from Brisbane, Australia. From his sparse biography, it seems he can be found mostly in South East Asia, or moving around Burma and its borders. His galleries also include square format photographs (possibly Holga) of South West Bolivia.

Aditya Kapoor: As They Are

Photo © Aditya Kapoor-All Rights Reserved

I met Aditya Kapoor at the Delhi Photo Festival in October where he asked me astute questions regarding multimedia, and then at the Angkor Photo Festival in Siem Reap a few weeks ago. 

I thought i'd feature his work titled As They Are which underscores the fact that only the unintelligent and unthinking resort to stereotyping others. Aditya had the opportunity to photograph Indian Muslims posing in sets decorated with plastic flowers, against backdrops of gaudy colors and life-size cut-outs of Bollywood stars as "partners". He also showed this work during a portfolio review in Siem Reap.

Based in Delhi, Aditya covers socio-political issues and undertakes reportage, portraiture and photo features for the likes of The Independent, Getty Images, Financial Times, Hindustan Times, Mint (WSJ), Aljazeera, Tehelka magazine, andOutlook. He also worked on commissioned assignments for Pepsi, Cartier, Ferrari, Ericsson, United Nations, CARE, Star News, The Indian Ministry of Tourism and The Common Wealth Games Federation.

The Travel Photographer's Best of 2011

Most of the big picture blogs and news outlets such as The WSJ Photo Journal, Boston's Globe's The Big Picture, The Denver Post's PBlog and Reuters' Full Focus, amongst many others, will soon feature their version of the best photographs of 2011. So taking their lead, I am featuring what I liked best of my own photographs made during the past 12 months. I'm not saying these are the best photographically speaking of all my 2011 images, but I like them...and I suppose that counts for something. They are a mix of pure travel photography and documentary/reportage style.

The 20 or so images were made during my two 2011 Photo Expeditions/Workshops to Gujarat and Kolkata. I've added traditional Turkish music to provide the accompaniment to the slideshow.

I know...I ought to have chosen some Indian sitar music instead, but I couldn't find a track in my library that matched my mood today. My apologies to the purists.

Venice By FKY

For a complete change of pace this Sunday, I feature a wonderful short movie on Venice produced by FKY, presumably a French videographer from Nantes.

What hooked me to watch this movie was the opening song by Charles Aznavour "Que C'est Triste Venise"...a romantic but sad song whose lyrics start:

Que c'est triste Venise,

Au temps des amours mortes,

Que c'est triste Venise,

Quand on ne s'aime plus.

Charles Aznavour is is an Armenian singer, songwriter, actor and a public activist. He's one of France's most popular and enduring singers, is known for a gravelly voice and is also one of the best-known singers in the world.

The camera used in the movie is the Canon 5D Mark II with Canon 50mm f/1.4, 100mm f/2.8L - 24-105mm f/4L  and the 70-300mm f4-5.6L lenses with a Rode Videomic pro.

POV: Encore Angkor?

Photo © Tewfic El-Sawy-All Rights Reserved

As readers of this blog know, I recently traveled to Siem Reap in order to attend the Angkor Photo Festival where one of my photo essays The Possessed of Hazrat Mira Datar was featured on its opening night.

I was greatly impressed by the Angkor Photo Festival's evenings at the FCC, and by the quality of the curating. As I mentioned in previous posts, both Francoise Callier and Jean-Yves Navel were instrumental in making a success of the event, while tireless Camille Plante and Jessica Lim made it tick. However, this is not the main purpose of this POV post.

It's been the third time I'd been in Siem Reap and to the temples of Angkor, and I am chagrined that, while Siem Reap itself still has traces of a bohemian feel to it, despite the high number of tourists invading its bars and restaurants, its temples have lost their mystique due to exuberant commercialization.

For example, both the Angkor Wat and the Bayon temple in particular are overwhelmed by hordes of tourists. The tour buses disgorge Vietnamese, Japanese, Korean and Chinese tourists by the thousands each day. This not only mars the aesthetic of these temples, but also has long term negative effects on the integrity of these historic monuments. The lay nuns all clad in white robes who could be found in some areas of Angkor Wat and the Bayon are now gone, replaced by men in Western shirts and trousers who sell incense sticks to tourists. To add insult to injury, there are now groups of students who dress up in apsara costumes, and who clumsily pose for pictures with tourists (see above picture). I assume these changes are approved and "endorsed" by the Siem Reap police and tourist authorities.

In my view, the Angkor Wat temple complex experience has deteriorated over the past 5 years. Both the influx of tourists and the need to maximize revenues from this world heritage site by the Cambodian authorities are the causes for this deterioration. If any of my readers haven't visited the Angkor Wat temple complex, I advise you to go as soon as possible and perhaps choose to do so when it's off-season (monsoon season may be an intelligent choice).

If and when you do, forgo the many established restaurants for dinner and try an area where there are lots of outdoor restaurants specializing in Khmer barbecue (BBQ Lover is one), and sample the grilled squid, giant prawns and fried morning glory. The area is opposite The Red Piano  and is between Street 11 and Street 8. You won't regret it.

Ed Ou: The Egyptian Youth

Photo © Ed Ou-All Rights Reserved

The news that "Islamists" seem to have won a majority in Egypt's first Parliament since the ouster of Mubarak is being reported by the US media in disquieting vocabulary, especially since it came at the expense of the liberal parties and youth activists who set off the revolution.  Many secular Egyptians are expressing alarm and anxiety at the result of the initial round of Parliamentary elections, while others shrug off these results by predicting that the Muslim Brotherhood (as one of the factions described as Islamists) may well have a majority, but will either choose or be forced to exert its political clout in a moderate fashion.

Ed Ou has covered the momentous events in Egypt ever since the start of the revolution, and has recently featured his work in progress of The Egyptian Youth.

Ed is a Canadian photojournalist who has been working in the Middle East, former Soviet Union, Africa, and the Americas. He started his career as a teenager, covering the 2006 war between Israel and Hezbollah in southern Lebanon, and the fall of the Islamic Courts in Mogadishu, Somalia. He worked for Reuters and the Associated Press, and was also an intern at the New York Times.

He is the recipient of a Global Vision Award from POYi, a 1st Place Contemporary Issues award from World Press Photo, and other recognition from the Overseas Press Club, Ian Parry Scholarship, Best of Photojournalism, PDN Photo Annual, UNICEF, among others. He has been selected for a Getty Images Editorial Grant, PDN 30 Under 30, and took part in the World Press Photo Joop Swart Masterclass. He was recently awarded the City of Perpignan Young Reporter Award.

via PhotojournalismLinks

David Hagerman: The Ferry Boats of Istanbul

Photo © David Hagerman-All Rights Reserved

David Hagerman attended The Foundry Photojournalism Workshop in Istanbul and produced an evocative audio slideshow titled The Ferry Boats of Istanbul, which he just published on his blog.

Yes, Istanbul is the city of Sultanahmet Camii, the Aya Sofya, the Kapalı Çarşı, but it's also the Bosphorus ferries that characterize it. These ferries provide vital links between different areas of that magnificent city, connecting the European and the Asian coastline. The first steam ferries appeared on the Bosphorus in 1837, were operated by private sector companies and currently carry approximately 61 million passengers yearly.

It is these that Dave decided to document. The audio slideshow with its glowing images and ambient sound will transport you in such ferries...the sound of the turnstiles, the sirens, the voices of the passengers, and even the clink of the spoon in tea glasses that are served on ferries...all ambient sound intelligently selected to provide a complete visual and aural experience of these Istanbuli fixtures.

David Hagerman is a photographer based in Kuala Lumpur and Penang in Malaysia, whose work has appeared in publications such as The New York Times, The Wall Street Journal Asia, Saveur, Budget Travel, Travel & Leisure SEA, The Chicago Tribune, South China Morning Post, Time Out KL, and Lonely Planet guidebooks. His work is also featured on the very popular Eating Asia blog.

POV: Moises Saman And Cairo Undone

Photo © Moises Saman-All Rights Reserved  

How wrong I was! I always dismissed the idea of photographing street life in Cairo by saying that there was nothing to photograph there...not much color, no vibrancy....but that began to change after the January Revolution. Was it a subconscious rejection of the then-prevailing environment? Or simply because I was blase about photographing in my own backyard...albeit one that I left for more than 30 years? Was it both? Perhaps.

That admission being made, I have to clarify that I speak only of street life rather than particular cultural subject matters, such as documenting Sufi rituals such as those I photographed a few years ago.

What changed my mind is the brilliant photo essay in The New York Times titled Cairo Undone by Moises Saman.  The photo essay (it's really a gallery as there's no storyline nor timeline) is of snapshots (I use this term very respectfully) of daily life in Cairo...the gritty, the edgy, the incomprehensible, the political and the anachronisms that dominate this teeming city.

I intended to post this as soon as I saw the photographs, but I was in Siem Reap and just couldn't find the time. I have viewed and re-viewed this work many times, and it revived in me a hunger to document facets of this city. Is it a nostalgic yearning? I doubt it...I don't think that way. It's similar to my documenting the Sufi rituals in various countries...that is nothing more than an intellectual and aesthetic pursuit.

It's the same for Cairo...nothing more nothing less. But time will tell.

Miguel Ángel Sánchez: Portraits Of Egyptians

Photo ©  Miguel Ángel Sánchez-All Rights Reserved

Since elections are going full steam ahead in Egypt, The New York Times' Lens blog has featured Portraits of Egyptians, a series of wonderful photographs by the talented Miguel Ángel Sánchez.

I absolutely love seeing photographic work of that nature...ethnographic to a large extent, and produced by borrowing the techniques of the Old Masters. Miguel Ángel Sánchez photographed 110 residents of Cairo in his studio; these included musicians, painters, politicians, writers, bloggers, shoeshiners, doormen, and the vendor of flowers above, which is absolutely my favorite amongst all of them. My least favorite is that of Zahi Hawass, the ex-Minister of Antiquities, not because of the image but because of the man himself. I don't know the man, but I developed an antipathy for his brash behavior and loudness in National Geographic television specials (as an example).

You will not find the photograph of the flower vendor on the Lens blog, but rather it's on Miguel Ángel Sánchez website. The flowers she's seen selling are jasmine, which are popular in Egypt for the powerful sweet smell. I believe the jasmine flowers sold on string strands are called "fol", and are popular in Egypt to deodorize one's car or to gift to one's sweetheart while strolling the city's gardens.

But back to the LENS blog...a comment was rather critical of the photographer for choosing to depict the Egyptians in Renaissance settings. I disagree. In choosing the lighting and poses similar to those we have seen so many times in museums and galleries the photographer creates acceptability for his subjects to the Western eye.

Siem Reap Journal: Issue #5

Photo © Tewfic El-Sawy-All Rights Reserved

Well, all good things have to come to an end. The Angkor Photo Festival's closing night included an intriguing photo talk by Roger Ballen, and the results of the 2011 Angkor Photo Workshops.

The award for the best photo story produced during the workshop was given to Carrie Lam*, a Singaporean photographer, for Cure...an ethereal collection of images. Her workshop tutor was Magnum photographer Antoine d'Agata.

I would be remiss if I didn't mention Francoise Callier and Jean-Yves Navel, who overwhelmed me (and many others) with their cordiality, and gracious hospitality during every night of the Festival, as well as the hard work of both Camille Plante and Jessica Lim which made a success of this Festival.

So thank you very much for a great event!

*I didn't find a website for Carrie Lam.

Global Post: Egypt's Women Of Revolution

Photo © Elizabeth D. Herman-All Rights Reserved

While I'm here in Siem Reap, I am following the events in Cairo with mixed feelings...feelings of pride and anxiety. The outcome of the 'rebooted' Egyptian revolution is impossible to predict, but some pundits have describe the current events in Tahrir Square as Egyptians trying to reclaim their January 25 revolution from the military.

There are a number of recent photo essays from Tahrir Square, but I thought I'd feature the work of Global Post's Elizabeth D. Herman titled Egypt: Women of the Revolution.

This is a compelling gallery of 18 photographs along with captions that tell us the back stories of each photograph. Last month, Elizabeth Herman spoke to 13 Egyptian women about the media’s coverage of women’s involvement in the Egyptian revolution. Their roles were varied, as were their experiences and reactions to the revolution, with some having actively joined the movement and others forced to do so by circumstance. All have much to say about how it has affected their lives, and how their experiences are similar to — and different from —those of other Egyptian women.

As is customary whenever readers' comments on the news of the Egyptian revolution appear in The New York Times, Islamophobia and political agendas raise their ugly heads. Comments describing the Egyptian revolutionaries as 'savages', and others hoping that the upheaval would not harm Israel (presumably this being much more important than Egyptians having basic human rights) are sent to the newspaper and published without consideration.

And, of course...we have some of the US press indulging the American proclivity for inward introspection, narcissism, and insularity. Just take a look at TIME's cover for its US edition as compared to the rest of the world's.

Both hilarious and sad at the same time.

Siem Reap Journal:Issue #4

Photo © Tewfic El-Sawy-All Rights Reserved

The Angkor Photo Festival is continuing its momentum, with today's penultimate night including a slideshow of the 5 finalists and the result of the inaugural Reminders Project Asian Photographers Grant. One of my favorite photographers, Shiho Fukada, is one of these five.

Since it's Friday, I dropped by the Siem Reap solitary mosque to explore whether there's anything worthwhile to document. Each Muslim community in Cambodia has a hakem who leads the community and the mosque, an imam who leads the prayers, and a bilal (as in Bilal, the Prophet Muhammad's muezzin) who calls the faithful to the daily prayers.

I met a few of the community members, one of whom spoke a reasonably fluent Arabic. While some of the Cham go to study the Qur'an at Kelantan in Malaysia, he learned it in Phnom Penh.

The two children were running around in the mosque, and the boy in particular was a bundle of energy.

Siem Reap Journal: Issue #3

Photo © Tewfic El-Sawy-All Rights Reserved

I've got a few things to talk about in this post, so here goes:

The opening of the Angkor Photo Festival was covered in yesterday's The Phnom Post which marveled that the front lawn of the Foreign Correspondent Club was packed with photographers, photojournalists and guests.

I was happy that Rahman Roslan, a photojournalist from Malaysia, who told the story of Nur, a young Indonesian woman returning home after suffering five years of abuse as a domestic worker in Malaysia, was quoted to say that Angkor workshops hadn’t just improved his style, but had changed his entire life.

I was also thrilled that Francoise Callier, the festival program director and curator, was quoted as saying “I wanted to focus on young photographers for this show, although there are some more established shooters in there too, like Tewfic El-Sawy."


I have also used my new iPhone to snap (and snap is the exact word for it) pictures of whatever takes my visual fancy, and I must say I find this to be very gratifying and entertaining, especially when using Instagram and Hipstamatic filters. That being said, I found it very useful when photographing people here. I can show these images to whoever I snapped, and it's an instant icebreaker. The iPhone is not threatening....everybody recognizes it's a phone, and the young and old take delight in choosing which filter to apply to their portrait, and in flipping from one image to the other.  At that point, they are ready to be photographed and photographed and re-photographed!

I'll be writing about this when I have more time.

Siem Reap Journal: Issue #2

Photo © Tewfic El-Sawy-All Rights Reserved

Photo © Tewfic El-Sawy-All Rights Reserved

Photo © Tewfic El-Sawy-All Rights Reserved

I recently switched over from Blackberry to the iPhone 4s just for it's camera capabilities, and where else to put it through its paces than in Siem Reap?

Here are a few of photographs made on the iPhone using Instagram and Hipstamatic filters of young monks at the old temples of Roluos, Preah Ko and Lolei.

And one of Angkor Wat itself and the reflecting pond.

Photo © Tewfic El-Sawy-All Rights Reserved