I'll be in Chiang Mai in a few days for the Foundry Photojournalism Workshop which formally starts in a week from today. I wasn't keen to haul my usual gear with me, especially with my stops in London and Bangkok, so I have just what you see in the picture.
Depending on whether I have the time or not, I intend to shoot a couple of personal projects in Chiang Mai so I chose to take a Leica M9 with an Elmarit f2.4 28mm and a Voigtlander f1.4 40mm, a Fujifilm X Pro-1 with a Fujinon 18mm and the Tascam DR-40 to record audio. All of this fit in my small Domke F-3X (with room to spare); a small and tough shoulder bag I've been using almost incessantly for a couple of years. I shouldn't forget to mention my iPhone4S, which will be useful for ah hoc photography.
Heck...the Tascam audio recorder is larger than either of these two cameras!!!
I will post sporadically during the coming two weeks...with most of the posts from Chiang Mai and the Foundry Workshop.
I use BlackRapid Camera straps, and just noticed that the company announced the launch of LensBling, a series of rear lens caps that allow users to quickly and easily differentiate between lenses they own. The rear lens caps carry bold graphics and labeling so it's very easy to identify and quickly find the right lens in a camera bag.
Alternatively, one can do what I do...and that is to print labels with the focal length of the lens, and stick these to the lens' front and rear caps (and sometimes the hood as well).
Notwithstanding, the LensBling is much more elegant and only cost $8.50 each. Not bad.
Note: I am not sponsored by BlackRapid, nor associated with it in any fashion. As I said, I just like and use its straps, and I thought that this product may be of interest to my readers in the travel and documentary photography industry.
With this month's credit card statement settled, I can now claim complete ownership of my Fujifilm X Pro-1 and the Fujinon 18mm lens that I bought last month, so feel I've earned the right to update my impressions having used it in the streets of New York as frequently as I could.
Let me start by saying that looks can be deceiving. Operating the Fujifilm X Pro-1's various options can be quite complex, and took longer than I expected, especially as I have the unfortunate habit of not reading manuals, preferring to learn on the fly.
Much has been written (and continues to be written) on the X Pro-1's performance, strong and weak points, quirks (some infuriating and others not so much) and superlative image quality...so I won't repeat them here, apart from saying this:
1. As I do much of my street photography in the streets of NYC by shooting from the hip, I rely on the X Pro-1's auto focus. Its auto focus is not infallible, but even my Canon 5D Mark II and 7D are not, so that's an issue I can easily live with. The main gripe I have with the X Pro-1 is that it occasionally goes to sleep, and it takes a few jabs at its shutter to wake it up. By that time of course, the subject of my attention has walked on by, or the moment I wanted to capture passed.
And to me, that's the main negative of the X Pro-1 insofar as shooting from the hip is concerned.
2. I tried a couple of color film settings, and I'm occasionally disappointed in the rendition of the Velvia (or vivid) setting. The color photograph above was made using the Vivid film simulation setting, and I just don't like it. While the whole scene is more or less fine, the color of the man's jeans (as an example) is unnatural, and seems too over-saturated.
3. The battery life of the X Pro-1 sucks. As I mentioned in previous posts, I manage to get about 300 images on one charge (that includes a bit of chimping). On the other hand, it recharges quite rapidly. So on my shopping list, is another battery. For an all day kind of shooting, 2 batteries (and perhaps 3) are the minimum.
That all said, I am quite satisfied with the performance of the X Pro-1 and I anticipate getting more comfortable with it during the next few weeks, and also expect that Fuji will come up with further firmware updates.
I added a monochrome version (processed via LR) which I much prefer to the color one. I suspect that if I claimed that it came from the new Leica MM, no one would guess otherwise.
Finally, for a website that aggregates all there is to know about the Fuji X Pro-1, drop by Thomas Menk's Scoop.it | Fuji X Pro 1 blog.
Serendipity was the reason I stumbled on New York City's 6th Annual Dance Parade yesterday.
Barricades and police presence around St. Marks Place can portend a lot of things these days, but when I was handed an announcement for United We Dance, I suspected I'd have a good time. This was corroborated by a woman standing besides me who predicted I'd also get fantastic photographs.
I only carried my Fuji X Pro-1 fitted with the Fujinon 18mm f2.0, and since the barricades had been erected along the route of the parade, I wasn't sure it'd work with such a short range lens. I was on the verge on hurrying back home and get my Canon 5D MarkII and the 70-200 f2.8 that serve me well in such events....but as the police seemed to not be in the mood to restrict photographers, press affiliated or not, I chose to stay and ignore the barricades.
It worked.
Naturally, I had to compete with other photographers who had the "appropriate" gear,...DSRLS mostly with long zoom lenses, but I had reasonable access to the dancers as they performed. I chose a spot on 8th Street that was in the shade (the other side of the street was very sunny), took a reading off the asphalt, and kept my camera's setting at 1/500 sec and an aperture of f2.0 (for a shallow DOF).
In a way, it was both frustrating and liberating to shoot with the X Pro-1. I was frustrated in not having the 70-200 lens (or even a 24-70mm) with me for some close portraiture of the gorgeous dancers...and frustrated that the X Pro-1 seemed to 'oversleep' sometimes. I probably missed about 4-5 photographs because the X Pro-1 didn't respond as quickly as I wanted. Its AF also seemed to be confused in some situations.
The liberating aspect of having the X Pro-1 is that it forced me to be close and personal with the dancers. Its size makes it so much easier to be unobtrusive, although the dancers were eager to be photographed, so stealth was a little difficult.
The JPEG photographs were processed (minimally) in Photoshop.
Here are JPEG #A and JPEG #B; one is made with a Leica M9 at 200 iso with a Leica Elmarit 28mm at f2.8, while the other was made with a Fuji X Pro-1 at 200 iso with a Fujinon 18mm (equivalent of 27mm) at f2.0. The photographs were made within a few seconds from each other under the same lighting conditions, and using an automatic shutter speed.
The lower two are the same images after using Auto Fix in Photoshop. No other processing was done to either of them.
So what's your call? Which image was made with the M9, and which with the X Pro-1?
After having handled the M9 for about 15 months and the X Pro-1 for just over a week, I feel that both have a place in my tool box. It took me a few hours to understand the ins and outs of the X Pro-1, and I haven't had frustrations to speak of once I ironed out its quirks. In contrast, the Leica M9 is a difficult camera with which I had considerable frustrations (and some pleasures) so far.
I am neither a Leica cheerleader nor a X Pro-1 groupie, and as I imply earlier, I consider them both to be useful tools for different jobs. That said, while the M9's build is better (more solid) than the X Pro-1, its many shortcomings (lack of AF, abysmal display, image quality issues at ISOs higher than 640, etc) are difficult to tolerate with the appearance of the X Pro-1 that is also well-built, has reasonable quality glass, has good image quality to 6400 iso, and a lovely display, apart from its many other technical advantages, such as its revolutionary hybrid viewfinder as one of numerous examples.
"Will the FujiFilm X Pro-1 dethrone the Leica M9? "
Sure, the Leica M9 not only has a mystique, but more tangibly, also provides a special 'feel' to the photographs it produces...but the X Pro-1 image quality is excellent. Does it have the Leica "feel"? No it doesn't. The M9 is a full frame camera, and the X Pro-1 isn't. However, it has an APS-C sized sensor, which produces images that are said to be equal, if not superior, to those of full-frame cameras.
Will the FujiFilm X Pro-1 dethrone the Leica M9? I doubt it...but it's a very serious contender, and fills a niche for photographers who seek to add a digital rangefinder-like camera to their gear, and do not want to spend upwards of $7000 for a body to do it.
And for those who have voted in the previous poll in which I ask for the readers preference between photographs made with a Leica M9, a Fujifilm X Pro-1, a Canon 7D, a Canon 5D Mark II and a Panasonic GF1, the results favored the Leica M9 which got 38.5% of the votes, then the X Pro-1 which got about 33%.
I'm more of a simple canvas Domke F-8 camera bag (and a cheap canvas shoulder bag from a US Army Surplus store) kind of person, but having chanced on Wotancraft Atelier's website, I have to admit that its camera bags are just gorgeous...and yes, quite expensive.
Its bags are constructed from top quality materials, and manufactured by experienced artisans, their bags are strong, reliable and beautiful. It appears that the Wotancraft products are handmade by only 4 artisans in Taiwan, and are rigorously inspected before they're shipped to buyers.
The smoky photographs on its website are just magnificent. Those that accompany the Urban Classic 005 Safari bag (shown above) feature Leicas, and another rangefinder to impart the sense of quality, Old World attention to details and high quality manufacturing. This is a well thought out pictorial layout; perhaps in the smilar vein as the ads for Louis Vuitton and Ralph Lauren products, but aimed at owners of Leicas and other high-end cameras.
The Scription blog has a full story on Wotancraft, which makes for interesting reading.
As a footnote, I have a Billingham camera bag which is equally well made, and resembles in some way the Safari bag, and is a classic for many photographers for its durability and functionality...but it also requires a long lead to be broken in, and I just didn't have the patience.
Note: I have no direct or indirect relationship with Wotancraft and/or its distributors.
Well, I've shot a couple of hundred images with my newly acquired FujiFilm X Pro-1 so far, and I thought I'd post a few more of my brief impressions about its performance so far.
Firstly, FujiFilm updated the firmware of the X-Pro1 and the three X-mount lenses that accompany the camera. The updates reduce the aperture 'chattering' that was experienced when using the camera. I updated yesterday, and the "chatter" was eliminated.
My pet peeve with the X Pro-1 is this: when I shoot at the 6 frames per second mode, the resulting frames do not appear in sequence on the display. The first frame appears with a small thumbnail of the remaining frames. I consulted the manual and haven't found any mention of this, or how to cancel it so that I can review the frames on the display as in other cameras. From my reading of other reviews, it seems that frames shot in continous mode are numbered differently and won't be directly accessed on playback review. FujiFilm engineers ought to come up with a solution to this crazy irritant.
Note: Magnus H. Amundsen, based in Oslo, was kind enough to tweet me and guide me to page 64 of the X Pro-1. Viewing the frames shot in continuous mode can be seen in sequence by pressing the selector down, then either right or left depending of the order chosen. Problem solved. It's counter-intuitive, and in my opinion an unnecessary step...but it works.
The other possible issue with the camera seems to be the life of a single battery charge. I read that it's sufficient for 350 images, but it certainly hasn't been the case. However, I'll keep an eye on it in the coming weeks. Its auto focus is not infallible, especially when I use the camera to shoot from the hip. It missed on a few occasions but generally speaking, it nailed a lot more than it missed. The click of the shutter is virtually imperceptible.
Something else I didn't like is the placement of the exposure compensation dial. I found that I inadvertently move it with my thumb when I shoot from the hip. I'm thinking of taping it to the -2/3 mark. I am also thinking of ordering the Thumbs Up CSEP-2 for it instead of the Fuji hand grip. I have a Thumbs Up for my M9 and it makes a huge difference.
The Fuji RAW converter (SILKYPIX) that comes with the camera is clunky and sort of primitive. Fujifilm has another so called professional converter which can be downloaded free for a 30 days trial. It's also clunky. I can't wait for Lightroom and Adobe Photoshop to soon come up with an update for the X Pro-1.
I read that some photographers find that having the battery and the SD card at the bottom of the X Pro-1 is a design flaw. However, it's identical to a Leica in that respect. Exactly.
Having now looked at a couple of my good images from the X Pro-1, I believe their quality to be really stellar. I use the Fujinon 18mm f/2.0 XF R lens which I'm very comfortable with. It's the equivalent to a 27mm and fits my style of shooting, especially in the streets of New York City. But I would prefer a lens equivalent to a 24mm f2.0. I explored the various film simulation modes it offers, and was especially impressed by its Velvia-like mode...a vivid high saturation mode. The image accompanying this post was made using that film mode.
It's been raining in NYC for a couple of days, so I thought I'd have some fun with my photo gear and compare interior shots from the Canon 5D Mark II, the Canon 7D, the Panasonic GF1, the Leica M9 and the FujiFilm X Pro-1. All of these images have not been processed in any way (except for being resized) and are jpegs out of the cameras.
While all of these have been shot at f2.8 and at an iso of 200 (the exception is the GF1), and at roughly the same time, there's obvious difference in many aspects between all of them. Another factor is that I had a 28-70mm f2.8 for the Canons, a 20mm for the GF1, a 28mm prime Leica lens for the M9, and a 18mm (equivalent to 27mm) on the X Pro-1.
This is hardly a scientific or a technical experiment, or an attempt to portray my preference...but just a quick look at what these different (in quality, price, type, etc) cameras and lenses can produce, using an off-the-cuff methodology. In particular, take a good look at the images produced by the M9 and the X Pro-1.
Well, I've had the FujiFilm X Pro-1 equipped with a Fuji 18mm f2.0 lens for about 48 hours, and I thought I'd jot my initial impressions down in a brief blog post. First off, I only skimmed the manual very quickly so don't expect any in-depth review. These are merely impressions from using it during a walk about on 14th Street in New York City, then a few moments in Washington Square. Some of the photographs were made shooting from the hip, while others were made by peering through the viewfinder.
Interestingly, I had a conversation with a photographer in Washington Square who asked me if it was a Leica. It certainly looks quite similar, but it's not a Leica in more ways than one. Superficially-speaking, the Fuji X Pro-1 has much more to offer in terms of digital enhancements than the M9. Apart from its auto-focus, it has a plethora of options that purists may not particularly find useful...its shutter is softer and much more discreet than the M9...it's much lighter but is still a handful...its lenses are also much lighter than those made by Leica or Voigtlander.
I had no difficulty whatsoever in adapting the X Pro-1 to my style of shooting from the hip. It's as unobtrusive as the M9, and the success rate is much higher with it than with the M9 because of its auto focus, which I chose to keep on single shot mode.
It seems to have a number of (possibly irritating) quirks, but I'll have to work with it a few more days before deciding if these are really camera quirks or whether they are caused by my inexperience.
As for the quality of its images. There's no question the quality of images made with an M9 equipped with Leica glass is really stellar, and their "feel" is different...I guess that's the renowned "Leica feel". The images from the X-Pro 1 are excellent, but they're more akin to the images by the Canon 5D Mark II (as an example). The images I've captured so far are very impressive in terms of quality especially froma crop sensor APS-C camera, but they can't be mistaken for images made with an M9.
Once again, this is not a scientific analysis nor an in depth review at all...just an initial impression when using the X Pro-1 and looking at the images I got from using it for a couple of hours. I did not intentionally choose specific scenes, but did what I usually do when I have my M9 around my neck.
What I didn't particularly like is that the X Pro-1 has the tendency of overexposing, so I dialed down by as much as half a stop and sometimes by 3/4 of a stop. And, there's isn't Lightroom or Photoshop RAW support for it yet.
I have found that I am shooting more and more wide angle, so the 18mm f2.0 lens is just perfect. It's perhaps early to say, but so far I like that lens a lot....it's fast and accurate.
As I said, this blog post is only partially peeling away the first layer of the X-Pro 1 "onion".
I've been asked what will I do now with the M9. Already! I'm not a Leica fan-boy nor a X Pro-1 fan-boy either, so my answer is simple...I wil continue to use it along with the X-Pro 1. I can easily see myself using both in Vietnam and Thailand in the coming few months.
As I'm fond of saying....cameras are nothing but tools for the photographer. Exactly like a claw and ball-peen hammers are tools for carpenters who use them for different jobs...the M9 and the X Pro-1 will be used for different styles of photography. When everything is spot on, the Leica excels. Otherwise, it's not a forgiving tool. In contrast, I think the X Pro-1 will be much more forgiving.
I've had the iPhone 4S since late October, and despite my previous reluctance in having such a device, I'm head over heels with it. Well, this might be an exaggeration because some of my friends and peers have really gone "extreme" with its photographic apps, and I'm not.
That said, I do like to use the various apps such as Instagram, Hipstamatic, Snapseed and the like that I have on mine. The lastest to appear is 646 Pro for iPhone whose claim sounds interesting. It claims that the app has been designed for professional and serious amateur photographers, and is the first and only iPhone camera app to give TIFF image files that have no in-app post-processing applied and no JPEG compression.
Its JPEGs are enhanced by 645 PRO's seven Film Modes, inspired by classic film stock as used by top photographers. It's still being considered for approval by Apple, but from the claims it makes, I'm sure many serious iPhone photographers will lap it up (subject to its meeting these claims and depending on a sensible price, of course).
As for multimedia photographers enamored with the iPhone, here's the iPhone Boom Mic, a small microphone that provides iPhone videos "professional" style sound. The microphone attaches to the iPhone's headphone jack. It's very lightweight, has a broad directional and a super-directional setting for more precisely focused recording.
Note: I have no direct or indirect relationship with either of these manufacturers and/or products.
As a prelude to what equipment worked for me and what didn't on The Oracles of Kerala Photo Expedition-Workshop, I thought I'd put up two photographs of the musical gear used by the traditional puppeteers. One was made with the Canon 5D Mark II and the other with a Leica M9. These are both jpegs out of the cameras with no post processing except for the same amount of sharpening.
Here's what worked for me on The Oracles of Kerala Photo Expedition-Workshop and what didn't. The list of my equipment was as follows:
A Canon 5D Mark II, a Canon 7D, and a bunch of lenses (28-70mm f2.8, 70-200mm f2.8, 17-40mm f4, and a 24mm f1.4), along with a Canon flash 580ex. A Leica m9 with a Leica 28mm f/2.8 Elmarit, and a 40mm f1.4 Voigtlander lens.
For audio, I had a Tascam DR-40 Recorder, an Audio-Technica ATR6250 Stereo Condenser Video/Recording Microphone and Sony headphones.
1) Both the Canon 5D Mark II and the 7D were used 90% of the time, especially during the festivals when capturing the action, sometimes in less than ideal lighting conditions, was needed.
2) As for lenses, I used the 17-40mm f4 (as in the above photograph) on the full-frame Canon 5D Mark II around 60% of the time, while the 28-70mm f2.8 was used for most of the rest. The 70-200mm f2.8 was used no more than on a couple of special occasions. If I hadn't brought it along, I wouldn't have missed it.
This is part of my evolution as a photographer. I started out (as some do) by using the 70-200 mm as my primary lens wherever I went. Eventually, my lenses got shorter, and my current favorite is the 17-40mm. At some point, I'll probably get the 16-35mm f2.8mm which is a great lens.
3) The M9, and its 2 lenses, was used whenever I sought to make environmental portraits, or when I had the time to compose and focus properly. In low light, it would have been close to useless, and during the frenetic action of the festivals (especially of the Oracles), I might have missed many shots had I used it.
4) I didn't use the prime 24mm f1.4 at all on this trip, and used the flash for only a few shots of the Peacock dance. Other than that, it stayed in my room.
5) I liked my new Tascam DR-40 Recorder. It performed well and the quality of it recordings were satisfactory. That said, I really needed a "dead cat" to reduce wind noise, especially when I was recording on the beaches of Kerala where there was wind.
6) Both Audacity and Soundslides were used during classwork, and both worked flawlessly as they should.
That's when Leica will announce a "whole range of product launches" in Berlin. Am I waiting with bated breath for these new products? Not at all. But having a M9 and very much aware of its strong points and shortcomings, I'm interested in seeing what will Leica come up with. It's more from a business side than from a photographic one since the German company is under assault from Fuji and others that are treading on its turf.
I was recently sent a heads up by Zeyad Gohary on a new all-white $31,770 M9-P model with a Noctilux f/0.95 50mm lens. Ridiculous of course, but perhaps it will sell well amongst the moneyed elites, celebrities and collectors. I had a chuckle imagining it in my grubby hands had I had one and used it during the recent festivals I was at in India. It would have turned black (with yellow turmeric and red stains) very quickly. Maybe the Kardashian sisters and their ilk would buy it, but Leica must've done its market research and concluded that it'll make money peddling this all-white model.
That said, I wonder what a "whole range of product launches" will mean. It's reported that the Fuji X-100 clobbered Leica's X1 model, and I predict that Fuji X-Pro 1 will become a favored tool for photographers who won't shell out $8000 or so to buy a M9 (or more in case of a successor). Leica is run by hard headed businessmen who look at the bottom line, and hopefully look into the future...and the future is for cameras that look, smell, cost and work like the Fuji X-Pro 1. Leica's investors know the future as well, and making white M9-P is a cute gimmick, but will not bring in the kind of cash inflow that satisfies these investors.
The range of new products may mean a successor to the M9, lenses and -if my gut feel is right- a new line of mirrorless cameras to directly compete with the Japanese products. A new M10 (improved focus, better LCD, better ISO, etc) and/or a new range of EVIL-like cameras.
I'll be taking a Canon 5D Mark II, a Canon 7D, and a bunch of lenses (28-70mm f2.8, 70-200mm f2.8, 17-40mm f4, and a 24mm f1.4), along with a Canon flash 580ex. I'll be taking a Leica m9 with a Leica 28mm f/2.8 Elmarit, and a 40mm f1.4 Voigtlander lens. I'm also taking a Canon-mount Holga lens for fun.
For audio, I'm packing a Tascam DR-40 Recorder, an Audio-Technica ATR6250 Stereo Condenser Video/Recording Microphone and Sony headphones.
I'll also be taking my iPhone4S (for picture-taking as well as communication), and a Blackberry for an India sim card.
Chris Niccolls from The Camera Store had the chance to spend an evening shooting with a pre-production model of the new Fuji X-Pro 1. He shows off the features, lens options, and hybrid viewfinder, and demos the video and low light images from this camera.
Although videos like this one are interesting, they're still sale jobs, so I really can't wait read unbiased reviews of the X-Pro 1, and see real life more samples of its images.
As I've posted a number of times, Leica's M9 is firmly in Fujifilm's sights, and I expect Leica will have to meet this challenge. Resting on one's laurels has led the sales of many formidable products to wither.
From the sublime (yesterday's post) to the (almost) ridiculous, but I just couldn't resist this!!!
An iPhone case made to look like a vintage camera...almost a Leica look-alike, and since I own an iPhone and an M9, this could make a delightful Xmas present...well, if whoever is interested in it can wait for another 11 months. The Gizmon website even has its logo that's a red dot a la Leica!!!
To be honest, this is not a totally zany idea. iPhone photography is growing by leaps and bounds, and this case would convert it to the feel of a real point and shoot.
The case is made of polycarbonate, comes in three colors ; white, black and orange. It sports an optical viewfinder, holes for straps and a functional shutter button that connects to the iPhone's volume buttons.
It costs $65, and is available via Gizmon's website.
It does appear the new Fujifilm X-Pro1 will prove to be a tough competitor, not only to the Leica M9 (as I thought it would), but also prove to be a decent alternative to DSLRs. Two Australian photographer who've had the opportunity to test it have extremely positive things to say about it. Take a look at the Vimeo movie above.
One of my most popular blog posts is the recent FujiFilm X-Pro1: Is It A Threat To Leica? in which I thought that it might well be, depending on the X-Pro 1's image quality (of course) and price point. It attracted a large number of emails...some agreeing with me, and others disagreeing.
About two weeks into the announcement, a large number of websites have expressed first look opinions and reviews of the X-Pro 1, and the consensus seems to be that Fujifilm is indeed putting the Leica M9 in its crosshairs with this new camera. Some even say that with the M9 based on the classic rangefinder model, the X-Pro 1 (although not a rangefinder as such) is the future...a reincarnation of that classic model. After all, it's an all-new camera system, with a brand new mount and lenses.
Another clue into Fujifilm's strategic thinking is its announcement it will make available a Leica M-mount adapter for the X-Pro 1, trying to peel off consumers away from the legendary classic but providing photographers the option to use the excellent Leica lenses as well as Voigtlander and Zeiss glass. How many times have I heard from established photographers that they'd love to have an M9, but it was too expensive? Lots.
I recently read in PDN that the lens system for the X-Pro 1 will initially consist of a 18mm f/2, 35mm f/1.4 and a 60mm f/2.4, with more coming down the road such as a 14mm super wide, a 18-72mm f/4 IS zoom, a 23mm f/2, a 28mm f/2.8 pancake design, a 12-24mm f/4 and a 70-200mm f/4 IS zoom.
Quite a broad range of lenses to suit every photography type! Wedding, street and documentary.
On the negative side, I also read in a number of hands-on reviews (of the pre-production models) that its auto-focus will not be as responsive as we'd like it to be. Another thing, the actual retail price has appeared in the UK, and seems to be £1350 (the equivalent of about $2000 including VAT of 20%, or $1600 net pre tax).
Will this Fujifilm newcomer pressure Leica to come up with a mirrorless model of its own? Perhaps. We have all seen countless companies fall by the wayside because they couldn't (or wouldn't) grab the moment...because of managerial inertia, bad luck or arrogance...or all of those.
I am not "dissing" Leica by any means. I own one and I'm very pleased with it despite its shortcomings (and my own), but I have no second thoughts the X-Pro 1 will nibble into the rangefinder market. How much of a nibble remains to be seen.
Fujifilm is emulating long standing Leica's marketing tactics by introducing the Black FujiFilm X100 Limited Edition which will be limited to only 10,000 cameras.
This slick and glistening dedicated website for the new X100 is designed to make us salivate at the prospect of spending $1700 for this "limited issue" model, which is a $500 premium over the regular model.
Leica is well known to make its products as desirable as possible...by giving these the allure of being limited or exclusive...and obviously charging for the privilege of owning one. The recent launching of the M9-P is a classic example of Leica's marketing tactics (or techniques, if you prefer).
While I consider a $500 premium excessive for what is essentially a paint-job, I leave it to its eventual the end users to decide whether it's worth it.
And here's a clincher thought: Fujifilm and Kodak were in the film-making business, and competitors. Why aren't we seeing Kodak digital cameras as exciting as those by Fujifilm?
The blogosphere is abuzz with the news that FujiFilm will be launching a new mirrorless camera soon, and its tech details were published in a French magazine as having a custom 16MP CMOS sensor, use Fujifilm’s EXR processor technology, feature a second-generation hybrid viewfinder, and will be available with 3 fast prime lenses (18mm f/2, 35mm f/1.4, and 60mm f/2.4). More details here.
"...the smart money ought to be on the new mirrorless cameras."
I certainly hope the rumors and the leaks are accurate, so we have more of the so-called “Micro Four-Thirds” and “EVIL” cameras such as the venerable Panasonic GF1 and the newer GX1. If the Fuji X1-Pro1 is indeed a reality, street photographers and others will be sorely tempted to buy it, certainly if its price point is reasonable. The French magazine article claims that its price in Europe (in Euros) will be equivalent to $1700 including a sweet 35mm f1.4. The remaining two lenses are said to be priced at the equivalent of $780 each. Since European prices are usually higher than those in the US, perhaps the street price here will be around $1400 (about the price of a Canon 7D body).
I am convinced the era of the bulky DSLRs will wane very soon, with the future belonging to theMicro Four-Thirds cameras, and certainly not for bulky cameras whose bodies were built for film transport, and have not changed since. Nikon and Canon can launch and hype their newest DSLRs until they're blue in the face, but the smart money ought to be on the new mirrorless cameras.
And that's why I will not be upgrading my Canon 5D Mark II nor my 7D. As for my question as whether the Fuji X1 being a threat to Leica...I think the answer might well be a qualified yes...and here's some more red meat for the naysayers... I still think Leica will come up with a mirrorless iteration at some point soon.
UPDATE: As Per Leica Rumors, It now appears that Fuji will release a Leica M-mount adapter for the X-Pro 1.
UPDATE 2 (January 8) Via Steve Huff: Amazon Taking Pre-Orders On The Fuji X1 Pro1 Lenses (but Not The Camera Yet)
UPDATE 3 (January 9) ViaPDN: Official Press Release And Specs For The Fuji X1-Pro1
