Christina Feldt: Travel Photography

Photo © Christina Feldt-All Rights Reserved

"As far back as I can remember, I have been fascinated by other cultures, faces, customs and ways of living."

And this is in essence how Christina Feldt started her photographic career. She was not joking...she writes me that she's just back from a 9 months trip through Mongolia, Myanmar, SE Asia and Ethiopia; a trip that generated enough galleries to occupy its viewers for quite some time. She has also established a Photoshelter website which you can view here.

I've gone through most of them...starting with Ethiopia, Myanmar, Indonesia, Laos, Cambodia, Mongolia, Bangkok and Singapore, and when I got to Vietnam...I paused at Christina's lovely photographs made against the yellow walls of Hoi An.

That done, I read the compelling blog post she wrote about Mai, a 31-year old Hmong woman from Sapa, who told her that her dream was to see the ocean and to be able to read and write, so she could read the text messages on her cellphone.

It's no surprise that I stopped at her Vietnam gallery...after all, this is my forthcoming destination where I'm holding a 15-days photo-expedition/workshop, and her photographs serve to reinforce the 'visuality' of Vietnam and its people.

Christian Witkin: Ethiopia

Photo © Christian Witkin-All Rights Reserved

"You can read people's faces, you can see how they treat themselves, what kind of lives they live, it's all in the exterior." 

Here's the work of Christian Witkin, a Brooklyn-based photographer known for his advertising and editorial work for major publications, who's now returning to fine art, the foundation of his personal photographic work.

His current projects include a massive 16-year study of India, Women, Ethiopia and a Thai Ladyboy project. I was curious to see how an advertising, celebrity and fine art photographer would depict the beauty of the Ethiopian people, and you can judge for yourself how well he's done it.

I was very interested to read in article on Cool Hunting as to how Christian took a medium format camera to 14th Street (which is one of my favorites spots for street photography) in order to build his portfolio, and that he now uses a 4 x 5 Linhof Technika (a large format camera system) when he travels. He also espouses the style of rarely cropping his photographs.

The Thai Ladyboy portraits are also masterfully photographed and composed.

Mitchell Kanashkevich: Ethiopia

Photo © Mitchell Kanashkevich-All Rights Reserved

“Will I ever come back to Ethiopia?”

A question asked by Mitchell Kanashkevich after spending over four months in that country, crisscrossing it on a motorbike.

He doesn't ask it because of logistics, or because of practicalities...but rather he wonders if he would want to ever come back to Ethiopia. I chose to feature his post to counter balance my earlier post on Holland Cotter's Ethiopian experience because they are so divergent.

I won't go into the details of Mitchell's reasons for his largely negative personal experiences in Ethiopia since you can read it directly on his blog, but these range from onerous restrictions and regulations imposed by authorities to make some money off foreign visitors to "money hungry scheming locals" in Lalibela and other religious towns.

Mitchell Kanashkevich is amongst a handful of travel photographers who are truly intrepid, experienced and who produce consistently excellent imagery, so his experiences in Ethiopia ought to be heeded by independent travelers who want to visit Ethiopia the way he did. I'm not suggesting that travelers ought to be put off by his current mindset, but they certainly ought to pay attention to what he tells us...and prepare themselves for potential difficulties.

It is one thing to travel to Ethiopia (and wherever else) on assignment with The New York Times, and quite another to travel the way Mitchell did. Fixers, hotel accommodations, transportation are a world apart between these two.

As for the obnoxious and puerile comments that Mitchell's post seems to have generated, it's unfortunate. Some people don't realize the service that Mitchell has provided...they may disagree with it, they may not like it...but he related his personal experience, and he's free to express it as he sees fit...wherever and whenever he wants.

I traveled to Ethiopia in 2004, and my experience was different. But that was 8 years ago, and I traveled differently. However if I were to return to Ethiopia, I'd reread Mitchell's post very carefully.

The New York Times: Aksum & Lalibela

Photo © Damon Winter-Courtesy The New York Times

Here's what I found to be a very well made (and thoroughly researched) feature by The New York Times titled Aksum And Lalibela: A Pilgrimage with the prose of Holland Cotter and the photography of Damon Winter.

"Lalibela was conceived as a paradise on earth."

Cotter tells us that he had longed to see two holy cities in Ethiopia: Aksum, the country's center of Orthodox Christianity, and Lalibela, a town of extraordinary churches carved from volcanic rock in the 13th century, for a long time and he did visit it recently.

The treat in this interactive feature are the panoramas of Gondar, the monasteries of Lake Tana and Lalibela. I was in Ethiopia in 2004, and these panoramic views brought it all back to me as nothing else could. I wasn't very impressed by Gondar then, but the majesty of Lalibela churches and the beauty of the reclusive monasteries of Lake Tana made my experience in Northern Ethiopia exceptionally memorable.

An exceptionally engaging article by Holland Cotter is here. He has been a staff art critic at The New York Times since 1998. Don't miss Damon Winters' dozen photographs of Lalibela, Aksum, and Gondar which accompany the articles.

And since I mentioned that I've been in that region some 8 years ago, drop by my own gallery Footsteps In Abyssinia. Oh, how I wish I had my multimedia knowledge and tools then!!!

Mitchell Kanashkevich: Orthodox Christmas In Lalibela

Photo © Mitchell Kanashkevich: All Rights Reserved

 "Lalibela is Ethiopia’s answer to Jerusalem."

Most of my readers will know who Mitchell Kanashkevich is; either because they read his blog as well, or because they're read some of my posts about his work.

He's currently in Northern Ethiopia, whizzing along its bumpy roads on a motorcycle (yes, he's hardcore in that way), and has attended the Orthodox Christmas celebrations in Lalibela, which he correctly describes as the Ethiopia's Jerusalem. During his stay there, he made gorgeous photographs which are on his blog.

Lalibela is one of Ethiopia's holiest cities, second only to Aksum, and is a center of pilgrimage for much of the country. Unlike Aksum, the population of Lalibela is almost completely Ethiopian Orthodox Christian. The town is famous for its churches hewn out the rock, which are thought to have been built in the 12th and 13th centuries. All told, there are 13 churches, assembled in four groups. Orthodox Christianity became the established church of the Ethiopian Kingdom in the 4th century through the efforts of a Syrian Greek monk.

Reading through Mitchell's blog entry, I pause at his statement that tourists' behavior, such as giving out of money for photos, is leading some devotees to beg for money after being photographed. Having been in Lalibela and Northern Ethiopia in 2004, I was relieved then that this was not my experience...devotees, deacons and priests welcomed my photographing them with no demands. However, I am not surprised at all this has changed with all the influx of tourists who don't know any better...or don't care.

Like Mitchell, I refuse to hand out money for photographs...unless (and that's an important qualifier) I specifically ask the subject(s) I want to photograph to go somewhere else with me, and there set them up for a photo shoot. In this case, I consider these people as models whose time I've taken, and some modest monetary payment ought to be in order. Now, like Mitchell as well, I mostly photograph documentary-style, so this is the infrequent exception.

Mario Gerth: East African Faces

Mario Gerth traveled to 65 countries on five continents and witnessed all kinds of civil upheavals. A German part-time banker and photojournalist, he has concentrated his recent work on Africa...and the slideshow above showcases Ethiopian tribes, some in color and others in stunning monochromes. I particularly like Chapter 3 of the slideshow which consists of gorgeous square format toned portraits...conversely, I thought the panning movement all through the slideshow was a little too much.

The tribes depicted in Gerth's photographs are sedentary pastoral people living in south west of Ethiopia, on the western bank of the Omo river. Unfortunately, the survival and way of life of the tribes of South Ethiopia are under threat by various projects planned for the area, especially a massive hydroelectric dam that affects the Lower Omo River.

In an earlier post, I had written various tribes of the Omo Valley are adept in soliciting money for images and how ready they were to pose without much guidance. But the question here is what came first...the tourists with their cameras giving out a handful of birrs or the demand for money from tourists for each snap.

Thierry Riga: Lalibela Portraits

Photo © Thierry Riga-All Rights Reserved

Here's another case where the photographer is not forthcoming with personal details, but Thierry Riga appeared on my radar screen when he subscribed to my email newsletters. I looked him up, and except for his website, there isn't much...which is a shame because perhaps photo editors and buyers will want to know more about him after this post.

Thierry has three manin galleries on his website...three galleries with large images. The kind of large that pleases me and photo editors and buyers, because they can see them properly. The three galleries are of Buddhist novitiates from Myanmar (Burma), of portraits of deacons, priests and devotees during Timket in Lalibela and the fishermen of Lake Inle in Burma.

I choose to highlight Thierry's Lalibela Portraits for no other reason than it's one of the handful of galleries mentioned on this blog that deals with the Christian faith in Ethiopia.

Timket is the Ethiopian Orthodox celebration of Epiphany, which is celebrated on January 19 (or 20 on a Leap Year). It celebrates the baptism of Jesus in the Jordan River. During the ceremonies, a model of the Ark of the Covenant, is reverently carried in a procession. Timket is celebrated all over Ethiopia, but it's particularly spectacular in Lalibela, a Biblical mountain town famous for its 11 churches hewn out of solid rock over a thousand years ago. Many Ethiopians believe they were built by angels.

I recall being awakened at 3:00 am or so in Lalibela by Timket ethereal chants...enough to give goosebumps to the most secular of humans. My own gallery Footsteps in North Abyssinia has some portraits from Lalibela.

Heida Helgadóttir: Ethiopia

Photo © Heida Helgadóttir-All Rights Reserved

Heida Helgadóttir is a 35 years old photographer based in Lisbon, Portugal as well as Reykjavík, Iceland. She started out as an apprentice for a portrait studio photographer, and started working as a full time photographer in 2004. She worked as a staff photographer for Fréttablaðið, Iceland’s largest newspaper, from 2004 to 2007 and for Birtíngur the largest magazine publishing company in Iceland, from 2007 to 2010. She recently moved to Portugal as a freelance photographer, and continues to do freelance work in Iceland.

I liked her portraits of South Ethiopians...presumably all from the tribes of Omo Valley, such as the Mursi, Hamer, Daasanach, and the Karo. All are black and white photographs, and are beautifully composed.

The survival and way of life of the tribes of South Ethiopia are under threat by various projects planned for the area, especially a massive hydroelectric dam that affects the Lower Omo River.

Heidah also has a gallery of portraits of Nepalis, which brings me to this little anecdote. A few weeks ago, I pay for a couple of Cokes at the corner store near my building, and I tell the cashier  she could be a Nepali from Katmandu. She smiled and told me she was born in Mustang!!! Mustang!!! She was born in the remote Kingdom of Mustang, now part of Nepal, and not exactly easily accessible. My mind marvels at how someone born in Mustang would now be working in a corner store in New York's West Village. Incredible! I'll have to spend some time with her to find out how that came about.

Jon Goering: Ethiopian Orthodox Christianity

Photo © Jon Goering-All Rights Reserved

I am certainly glad Jon Goering chose me to review his multifaceted portfolio during the Foundry Photojournalism Workshop in Buenos Aires a few days ago, and so will you when you view his black & white images of Ethiopian Orthodox Christianity.

I guarantee you'll find these beautiful images very compelling, and extremely well composed.

Jon is a photojournalist living near Birmingham, Alabama and is the staff photographer for Shelby County Newspapers. He was awarded third place by the Hearst Journalism Awards program for News/Sports in 2008/2009 and honored for his photography of Ethiopia. At CPOY64 he was awarded two honorable mentions awards, one for International Picture Story for a story on the children of the Chinandega, Nicaragua landfill, and one for Portrait. The project was later selected by the photojournalism collective LUCEO as one of ten finalists for their student project award. Jon garnered other awards, and I predict he will continue to impress us with his future projects.

In Buenos Aires, my review of Jon's images (viewed on his iPad) quickly evolved into a conversation about Ethiopia and the profound religiosity of its people. I can't recall for certain if I told Jon this, but when looking at his images, the sinking feeling in my stomach signalled I had missed much by photographing only in color when I was in Lalibela during Timket...but it was in 2004 and what did I know then?!

So I'm happy Jon is smarter than I was, and did realize that black & white photography enhanced his visualization of Ethiopia's beautiful Christian rituals.

William Palank: Ethiopia

Photo © William Palank-All Rights Reserved

Just yesterday, I had an email conversation with Eric Beecroft on the merits of the Leica M9, and whether I viewed it as a reliable tool, despite its idiosyncrasies, for my travel photojournalism work, and if it could ever replace my Canon system. My view was that it would not replace the Canons, but it would supplement them. I used a tool analogy, and compared the Canon and Leica to pliers and pincers.

This conversation fit perfectly with the work of William Palank, and with his interesting interview on the Leica blog. As a bit of background, William Palank decided to change from a career of dentistry to that of a photographer, and started to document traditional cultures such as those of Ethiopia India and Burma.

"When using prime lenses on a digital rangefinder camera, you can’t cheat by shooting from across the street and zooming in."

Palank is complimentary of the Leica M-sytem because it allows him to get nearer to his subjects, and permits him to blend better in exotic locations. His Ethiopia images were made with a Leica M9 and a Summilux 50mm lens. More of his Ethiopia images are here.

I recommend reading the interview pretty attentively.  Palank's post-production appears to be fairly minimal. He tells us that he prefers to get the the exposure and lighting right before he clicks his shutter. In our age of Photoshop and Lightroom, this is unusual.

I have yet to test the M9 in my travels, but I am certain it will allow me to get even nearer to my subjects...and record more intimate portraits. I'm not too bashful in approaching my subjects, but the M9 will help in keeping a lower profile. Once again, the M9 will not supplant the Canon 5D2 and the Canon 7D, but will supplement them. I will share my experience and results.

Diego Verges/Javier Fernandez del Rivero: Addis

Photo © Diego Verges/Javier Fernandez-All Rights Reserved

Diego Verges was at it again...this time with a friend and collaborator Javier Fernandez, and produced interesting set up visuals of various Omo Valley tribes, such as the Mursi, Hamar, and Tsamay.

Here's the background story as told to me by Diego. Having won a photographic contest last November, with a trip to Ethiopia for two as grand prize, Diego and Javier traveled to Southern Ethiopia where they stayed for about 2 weeks. With time on their hands, and an impulse to produce something unusual, they decided to work with studio backgrounds cheaply cobbled together locally.

The goal was to produce photographs more akin to anthropological portraits than travel images, but that would also accentuate the studio-like poses rather than the candid.

Diego tells me he was inspired by the work of John Kenny and Sarah Elliot, who were both featured on my blog, as well as by Isabel Munoz. I also see the influence of Joey L. in these, especially in the use of strobes and lights.

Some of those who describe themselves as purists may well view this work as demeaning to the Omo Valley tribes people and their age-old culture, as well as exploitative to a certain degree. Unfortunately, this has been the case for a number of years, and I understand through a number of conversations that commercialization is now running rampant. I was there last in early 2004, and noticed how the various tribes were adept in soliciting money for images and how prepared they were to pose without any guidance from me. And that's why I qualify my use of the term "exploitative"...perhaps this is a case of what came first...the tourists with their cameras giving out a handful of birrs...or the demand for birrs from tourists for each snap. I don't know the answer to that.

While I am saddened by the economic situation these tribes find themselves in, I pass no judgement. There's always the good and the bad in situations such as these.

Whatever side of the fence you end up on, there's no question that Diego and Javier have done an excellent job in featuring the beauty and majesty of the Southern Ethiopian tribes.

And no...I don't know why Diego decided to title these new galleries as "Addis"...instead of Turmi or Omo.

Note: Diego clarified the reason the reason for choosing Addis...it means "New"...as in new work.

Joey Lawrence: Omo Valley Portraits

Photo © Joey Lawrence-All Rights Reserved

There's no question that Joey Lawrence (aka Joey L) is one heck of a photographer...travel photographer, ethno-photographer and portrait photographer as well. He recently added more photographs of Lower Omo Valley tribes to his blog that are breathtaking in their simplicity.

These are different than what we come to expect to see from Joey, who had accustomed us to environmental portraits of endangered tribes people, whether in Ethiopia or Indonesia. This latest crop of incredibly beautiful photographs have been posed, and the subjects set against a simple black background. According to Joey, these will be part of a fine art book with all his work from the Omo Valley.

The tribes depicted in this series are the Karo, the Nyangatom, the Mursi, the Daasanac. the Hamer and the Arbore.

Joey used a PhaseOne/Mamiya 646 with a 80mm prime lens, a light setup and a collapsible reflector.  The combination of the medium format and the lighting technique produced these remarkable results. 

Evan Abramson: When The Water Ends

Ethiopia's government is building a new dam in the Omo river projected to be the largest hydropower project in sub-Saharan Africa. Almost 50% of its electrical output has already been sold to neighboring countries, but it will reduce the water flow to the Omo River and threaten the lives of some 500,000-800,000 nomadic pastoralists.

Evan Abramson's When The Water Ends photo essay examines the impact of such a massive infrastructural on the lives of the Omo Valley tribes.

Evan's photographs were also used in a 16-minute video When the Water Ends produced by Yale Environment 360 in collaboration with MediaStorm. It tells the story of the increasingly dire drought conditions facing parts of East Africa, and the eventuality of conflict.

Evan Abramson is a 32-year-old photographer and videographer based in New York, who spent two months in the region, living among the herding communities. His project focuses on four groups of pastoralists — the Turkana of Kenya and the Dassanech, Nyangatom, and Mursi of Ethiopia — who are among the more than two dozen tribes whose lives and culture depend on the waters of the Omo River and the body of water into which it flows, Lake Turkana.

Quite a number of photographers have photographed the tribal people of the Omo Valley, and I'm certain they, as well as many non-photographers, are lamenting the change that will befell the region.

Faces of a Vanishing World: Joey Lawrence

I've posted a few times about Joey Lawrence (he also goes by Joey L), the young photographer who's been involved in commercial photography, photojournalism and music videos around the world by the age of 17, and who now has the established reputation of being a pioneer of new aged digital hyper-realistic photography, lighting and manipulation.

Joey has released a documentary titled Faces of a Vanishing World available for purchase on DVD or as an instant download. The official trailer for the documentary is above. Joey also says he's donating a portion of all the documentary's sales to Survival International, who are supporting the tribal people of the Omo Valley defend their rights, protect their lands and determine their own futures.

I am always a little hesitant in accepting cliches such as "vanishing world", "dying cultures", etc...because cultures are usually more resilient that people think, but in this instance, I'm convinced the Omo Valley tribes are under severe threat.

This relates to the Ethiopian's government building a massive dam that will block the south western part of the Omo River. The Lower Omo Valley is a UNESCO World Heritage site, in recognition of its archaeological and geological importance, and is home to several tribes.

I have neither acquired the DVD nor have I downloaded it...but from the trailer and from Joey L's quality of work, I'm certain it'll be money well spent.

Esther Havens: Ethiopia

Photo © Esther Havens-All Rights Reserved

It's very easy to like and admire Esther Havens. She is a humanitarian documentary photographer who focuses on social-awareness campaigns with Non Profit Organizations around the world, and spent the past two years capturing stories on water projects in Kenya, Rwanda, Uganda, Haiti and Central African Republic.

She traveled to over 40 countries and, as she says "...seeks to open hearts and minds to see the third world conditions in a way that might challenge them to make a difference".She's especially supportive of charity:water, which she urges everyone to support.

Her website has many galleries of her travels to Ethiopia, Uganda, CAR, Iraq, Rwanda, Mozambique, Jordan, Nicaragua, India and others in Asia and South America.

The above photograph is from Esther's Ethiopia gallery.

John Kenny: Omo Valley & Africa

Photo © John Kenny-All Rights Reserved
Here's a real treat for those of us who are enamored with Ethiopia's Omo Valley tribes (and we are many), and a treat for "Africanphiles" in general as well. A real trove of magnificent portraits of handsome and beautiful African native people, ranging from the Omo Vallley various tribes to Kaokoland's Himba.

John Kenny's website presents around 100 of these portraits along with a handful of African landscapes, and is a must-have bookmark for anyone with an ethnographer interest.

John started his photography career about 7 years ago, and is self-taught. He first arrived in Africa in 2006, and keeps returning to photograph because he's fascinated to encounter societies that are able to survive in some of the most arid, isolated and difficult environments.

He tells us that he chose to make each and every one of these portraits because the individuals attracted him, and gave him a sense of wonder. He photographs without using flash or studio equipment, preferring natural sunlight. He also tells us that he travels alone, or with a local guide...and uses local transport to get from one place to the other.

I chose a color photograph to accompany this post, but I suggest you visit John's toned monochromatic portraits. The tones of his photographs are earthy, rich and vibrant...perfect for his subjects.

Via Greg Pleak

Darren Ornitz: East Africa

Today I'm featuring the work of Darren Ornitz, who as a freelance photographer, traveled for 14 months in Africa and Asia including Zimbabwe, Ethiopia, Yemen and Oman.

Quite a number of photographs in Darren's East Africa gallery are of Lalibela, one of Ethiopia's holiest cities, and a center of pilgrimage for much of the country. The population of Lalibela is almost completely Ethiopian Orthodox Christian, and having spent a few days there photographing during the Epiphany celebrations, I can only describe it as "Biblical".

Part of the East Africa portfolio are some photographs of Zanzibar, and more specifically Stone Town. A UNESCO listed old city, Stone Town was David Livingstone's base when preparing for his final expedition in 1866. The above photograph is of Stone Town.

Darren studied at the S.I. Newhouse School of Public Communications at Syracuse until transferring to Fordham.

Chris Blade: Omo Valley Tribes

Photo © Chris Blade-All Rights Reserved
Yes, I know. I'm being repetitively Omo Valley-centric this week...but I recently discovered a handful of photographers who produced lovely work from this area, and decided to string Omo Valley galleries one after the other. Once again, tea leaves readers (ie followers of my photo~expeditions) should not see anything in this.

Today, I feature the work of Chris Blade from Omo Valley, although his website also has galleries of the beautiful Ethiopian Simien Mountains, Lalibela and Gondar, and Axum.

Christopher Blade is a graduate from the Royal College of Art in London, and has advanced degrees in glass making and design. He manages the National Glass Centre in Sunderland. He designs and makes bespoke art glass often inspired from his extensive travels as a travel photographer. His travels have taken him to Ethiopia, Israel, Africa (he was invited by a British adventure travel company to photograph from Victoria Falls, Zimbabwe & through Botswana & the Okavango Delta, Mozambique, Swaziland, Lesotho to Cape Town), China, Nepal, Tibet, Mongolia and others. I'm glad he included a gallery titled Palestine...as it ought to be.

I liked his horizontal images on the Ethiopian galleries I've visited (some very nice ones of Lalibela, including interiors).

Marco Paoluzzo: Omo Valley

Photo © Marco Paoluzzo-All Rights Reserved
Yes, it does seem that I'm on an Omo Valley streak...and why not? Here's another photographer who showcases his work in Ethiopia. His work doesn't stop at the Omo Valley, but explores many of the country's corners.

Marco Paoluzzo is a Swiss photographer who worked as a freelance photographer for advertising and industry, and then took up travel photography in 1996. His work appeared in the National Geographic Traveler, Geo, Altaïr, Traveller UK, Stern, Paris Match, Nikon News, Leica Fotografie International, and Die Zeit amongst others. He has also published a number of travel photography books.

I was tempted to feature Marco's work of Ethiopian Christianity instead, but I'm sure you'll explore his website on your own. He's been virtually everywhere, so give yourself time to explore his galleries.

As I frequently recommend, photographers ought to update their websites and showcase their work using large images! And to those of you who may be tempted to read tea leaves, the many Omo Valley postings on The Travel Photographer Blog do not suggest that I am planning a photo~expedition there in 2011. I'm just sayin'.

By the way, it just occurred to me that many of the Omo Valley galleries I've seen so far are of simple portraits, rather than environmental portraits (or tableaux, as I like to call them) with other subjects in the background, etc. The one above is one of the few in Marco's gallery. It's not criticism at all, but just a reflection of what is practical in such an environment. My own Omo Valley gallery is made of simple portraits as well.

Sarah Elliott: Women of Omo Valley

Photo © Sarah Elliott-All Rights Reserved
Sarah Elliott interned for James Nachtwey and assisted Stanley Greene, and traveled extensively around the world pursuing social issues. Her work was opublished by The New York Times, The LA Times, IHT, The Guardian, Monocle, The Observer, Financial Times and the Red Cross and many more.

Sarah's galleries include images and essays from Rwanda, Kenya, Somali Pirates, New Orleans, Rajasthan, The Mormons, Tibet, Tonle Sap Lake and portraits of the Women of the Omo Valley. These are 26 frontal portraits of the tribal women, ranging from the Mursi to Karo. These are simple black & white portraits, quite different from the work of other photographers like Brent Stirton, who used strobes for his environmental portraits of the Omo tribes.

The Omo Valley has considerable resonance amongst those who've either been to the south of Ethiopia and those who want to go. It is currently believed that the area has been a crossroads for thousands of years as various cultures and ethnic groups migrated around the region, and it's been said that “If Africa was the mother of all humanity, then the Omo River was its main artery”. Having been there in 2004, I believe that.

The area is home to eight different tribes whose population is about 200,000 and it's been reported that a hydro-electric dam is under construction on the Omo river. When completed, it will destroy a fragile environment and the livelihoods of these tribes, which are closely linked to the river and its annual flood.

(Via Photojournalism Links)